Travel

Aguad: Where History Lives, Breathes, and Belongs


Standing tall along Goa’s coastline, the Aguad Port and Jail Complex is more than just a reminder of history—it is where the past continues to live, evolve, and engage with the present. Once a strategic Portuguese port and later a prison that confined freedom fighters, the complex has witnessed centuries of transformation, carrying stories of conquest, resistance, and resilience within its walls.

Today, Aguad has re-emerged as a dynamic public space that invites visitors not just to observe history, but to experience it. Carefully restored and thoughtfully curated, the complex now blends heritage with contemporary life, offering something for every kind of explorer—from history enthusiasts to casual visitors seeking a unique day out.

Arriving at Aguad itself can be an experience. While the road route offers scenic views, the boat ride across the Mandovi River adds a layer of anticipation. Ferries departing from Kala Academy glide across the waters, offering a serene journey that sets the tone for what awaits at the historic site.

At the heart of the complex lies the Aguad Interactive Museum, housed within the old prison cells. This space goes beyond traditional storytelling, using immersive exhibits, digital kiosks, and QR-enabled audio guides to transport visitors into Goa’s past. Divided into themes such as land, struggle, and people, the museum creates a powerful narrative of Goa’s history, especially its liberation movement, making it both educational and engaging.

For those who prefer exploring history on foot, the heritage walks offer a deeper dive into the site’s legacy. Walking through the fort reveals layers of history—from its role in defending against invaders like the Dutch and Marathas to its later use as a prison. Visitors gain access to hidden corners including a chapel, freshwater spring, old kitchens, and the stark prison cells that once held freedom fighters, making the experience both insightful and moving.

As the sun begins to set, the experience shifts from land to sea. The heritage cruise takes visitors into the calm waters of Aguada Bay and the Arabian Sea aboard a vintage-style vessel. With panoramic views of Goa’s coastline and the fort itself, the cruise offers a rare perspective—one that captures the quiet beauty and grandeur of the complex from afar.

Aguad is also redefining what it means to dine within a heritage space. From relaxed, cosy spots to more refined dining experiences, the complex offers a variety of options that cater to different moods and tastes. Whether it’s enjoying comfort food, sipping creative beverages, or indulging in a fusion of traditional and global flavours, the culinary experiences here mirror the spirit of Aguad itself—where the old meets the new seamlessly.

Weekends at Aguad bring an added vibrancy. The lively market atmosphere, with stalls showcasing local crafts and artisanal products, turns the historic setting into a space of community and creativity. Visitors can browse unique finds, interact with local artisans, and soak in the festive energy that fills the air.

The complex has also emerged as a sought-after venue for curated events. Candlelight concerts add a magical glow to the historic walls, while musical evenings and cultural performances create an atmosphere that is both intimate and grand. Art exhibitions further enrich the experience, with galleries showcasing remarkable collections that connect Goa’s heritage with broader artistic narratives.

What makes Aguad truly special is its ability to remain rooted in history while embracing the present. It is no longer just a monument to be observed, but a space to be experienced—where stories are told not just through stone walls, but through music, art, food, and shared moments.

Whether you’re a local rediscovering your roots or a visitor exploring Goa for the first time, Aguad offers something rare—a place where history doesn’t feel distant, but alive, inviting, and deeply connected to the present.

Social

Lions Club of Loutolim Honours Talents Rupesh Jogale & Mario Pimenta


The Lions Club of Loutolim recently celebrated the achievements of two outstanding individuals from the village, Rupesh Jogale and Mario Pimenta, during a special felicitation ceremony held as part of the official visit of District Governor PMJF Lion Jai Amol Naik.

The event began with a warm welcome by President Lion Allen Araujo, who highlighted the consistent efforts of the club in serving the community despite being based in a rural area. Secretary Lion Alwyn Mascarenhas presented a detailed overview of the club’s initiatives since July, which included environmental efforts like sapling distribution during Vanamahotsav, educational support for deserving students, financial aid, and various charitable activities.

The highlight of the evening was the recognition of two local talents who have made significant contributions in their respective fields. Rupesh Jogale, a respected name in Goan theatre and direction, was honoured for his dedication to the performing arts. Known for his powerful portrayals, including roles depicting Jesus Christ, Jogale shared his journey and expressed heartfelt gratitude for the recognition bestowed upon him.

Mario Pimenta, a young and promising filmmaker from Goa, was also felicitated for his growing achievements in cinema and participation in various competitions. At just 21, Mario reflected on his journey, acknowledging the unwavering support of his family, especially his mother and sister. He encouraged aspiring individuals to pursue their dreams with confidence and action, noting that such recognition at a young age was both motivating and humbling.

District Governor PMJF Lion Jai Amol Naik congratulated both honourees and commended the Lions Club of Loutolim for its impactful work. He encouraged more individuals to join the Lions movement, emphasising its core philosophy of service and positive societal impact. During the event, he also presented letters from the International President of Lions Clubs International to veteran members, along with medals and badges, recognising their long-standing dedication.

Treasurer MGF Lion Joaquim Monteiro delivered the vote of thanks, expressing appreciation to all attendees and contributors to the event’s success. With nearly five decades of service, the Lions Club of Loutolim continues to play a vital role in fostering community development while celebrating and encouraging local talent.

#faith

Bishop Agnelo Pinheiro Visits Milagris Church Ahead of May 2026 Inauguration


A significant moment for the Catholic community in Sawantwadi unfolded as Agnelo Pinheiro, Bishop of the Catholic Diocese of Sindhudurg, visited the historic Milagris Church to review its newly reconstructed premises ahead of its official inauguration scheduled for May 9, 2026.

The visit marked an important step in the journey of the church, which holds deep historical and spiritual significance. Originally built in 1652, Milagris Church has stood as a symbol of faith for centuries. Over the past few years, the structure underwent extensive reconstruction at the same site, preserving its legacy while giving it a renewed architectural form. With the work now completed, the church is ready to reopen its doors to the faithful.

During his visit, Bishop Pinheiro interacted with the local parish priest and members of the Christian community, extending his greetings and acknowledging their efforts and devotion. He also expressed appreciation for the newly constructed church, recognising the collective commitment that made the restoration possible.

The occasion was attended by several prominent members of the clergy, including Simião Fernandes, along with Father Millet D’Souza, Father Felix Lobo, Father Richard Saldanha, Father Alwyn Gonsalves, Father Milton Molteno, and Father Amrit Gonsalves. Members of the church and the wider Catholic community were also present, making the visit a moment of unity and anticipation.

The upcoming inauguration is expected to be a landmark event, bringing together the faithful to celebrate not just a building, but a living heritage that has endured through centuries. The reconstruction of Milagris Church reflects a careful balance between preserving tradition and embracing renewal, ensuring that its legacy continues for future generations.

As preparations move forward for the May 9 inauguration, the visit by Bishop Pinheiro has further strengthened the sense of excitement and spiritual significance surrounding the occasion, marking a new chapter in the long and cherished history of Milagris Church in Sawantwadi.

Events in Goa

Lost Notes, Found Echoes: Medina Ribas Comes Alive in Goa


There are moments when music does more than fill a room—it travels across time, reviving stories that were once on the verge of being forgotten. That’s exactly what unfolded in Goa this past weekend, as rare compositions by Nicolau Medina Ribas were brought back to life in two thoughtfully curated performances that blended history, emotion, and cultural connection.

Organised by Communicare Trust, the concerts took place across two contrasting yet equally evocative venues—the Black Box at Kala Academy and the heritage-rich Figueiredo Mansion. Each space offered its own atmosphere: one intimate and contemporary, the other steeped in history, echoing the very legacy the music sought to revive.

Led by Portuguese violinist Eliseu Silva and pianist Olga Amaro, the performances centred on Ribas’ works—compositions that were once nearly lost at his estate in Porto before being rediscovered and preserved through dedicated archival efforts. As the notes unfolded, there was a quiet sense of rediscovery in the air, as if the audience was not just listening, but witnessing something being returned to the world.

For Olga Amaro, the experience carried a deeply emotional weight. Performing in Goa, she reflected, felt like standing at a crossroads of histories—two cultures separated by geography yet intertwined through centuries of shared past. That connection was not just historical, but deeply human, shaping the way the music was received and understood. She spoke of feeling both honoured and responsible—honoured to share this music, and responsible for presenting it with authenticity and care.

There were also moments of personal intimacy that added to the uniqueness of the experience. Amaro shared, with a touch of lightness, that the Panaji performance marked her first time playing barefoot—an act that made her feel more grounded and connected, not just to the stage but to the audience itself. It was a small detail, but one that reflected the larger spirit of the concerts: unfiltered, sincere, and deeply felt.

Violinist Eliseu Silva echoed similar sentiments, noting the attentiveness and emotional engagement of Goan listeners. Even for those unfamiliar with Ribas’ work, the response was immediate and genuine. There was a sense that the music transcended its unfamiliarity, speaking directly to the audience in a language that needed no translation.

For Nalini Elvino de Sousa, founder and manager of Communicare Trust, the concerts marked a significant milestone. Not only did they celebrate the organisation’s 20th anniversary, but they also introduced, perhaps for the first time in Goa, the work of a Portuguese composer from that era in a live setting. The addition of contextual explanations during the performance helped audiences engage more deeply, turning the concerts into both a musical and educational experience.

Beyond the performances themselves, what lingered was a message—one that Amaro shared with young musicians. It was simple, almost quiet in its delivery: to keep going, to stay with what you love, and to trust in the joy that music brings. In a world often driven by outcomes and expectations, it was a reminder that art, at its core, is about connection.

And that connection was evident throughout the weekend. Between continents, between centuries, and between people sitting in a room, listening together. In reviving the works of Nicolau Medina Ribas, these concerts did more than revisit the past—they made it present again, if only for a night, and perhaps that’s where their true magic lies.

National

Kerala Officially Renamed Keralam: A Cultural Shift with Political Undercurrents


Kerala has officially been renamed “Keralam,” marking a significant moment where constitutional identity finally aligns with linguistic and cultural reality. For decades, “Keralam” has been the name used in Malayalam—the language spoken by millions in the state—yet the official name recorded in the Constitution remained “Kerala.” That distinction has now been erased, bringing a sense of closure to a long-standing demand rooted in history and identity.

The journey to this moment began with a resolution passed by the state assembly in 2024 under the Communist Party of India (Marxist)-led government. The resolution highlighted how Indian states were reorganised on linguistic lines in 1956, and how the formation of a unified region for Malayalam-speaking people was deeply tied to identity. November 1, celebrated as Kerala Piravi Day, marks that formation, yet the official naming had remained inconsistent with local usage. The push to adopt “Keralam” was therefore not about change, but about correction.

With the renaming now official, the spotlight has also turned to its political context. The decision comes at a time when the Bharatiya Janata Party is working to strengthen its presence in a state traditionally dominated by the Left and the Congress. Leaders such as Rajeev Chandrasekhar have framed the move as part of a broader effort to reclaim cultural identity and address what they describe as unfinished work of previous decades.

At the same time, the renaming intersects with ongoing debates around language in India. Kerala has often been at the centre of discussions on linguistic autonomy, particularly in resisting the compulsory imposition of Hindi. While leaders like Amit Shah have emphasised the importance of promoting Indian languages collectively, the state has consistently asserted the primacy of mother tongue and regional identity in education and governance. In that context, adopting “Keralam” strengthens the argument for linguistic recognition within the federal structure.

Beyond politics, however, the emotional resonance of the change is undeniable. For Malayalis, “Keralam” is not new—it is familiar, lived, and deeply personal. It reflects how people refer to their land in everyday life, in literature, in cinema, and in cultural expression. The official adoption of the name is therefore less about transformation and more about acknowledgement.

As “Keralam” enters formal use, it stands as a reminder of how names carry meaning far beyond words. They hold history, identity, and belonging—and in this case, they also carry the weight of timing, politics, and aspiration in a state that continues to evolve while staying rooted in its cultural core.