Tag: Exhibition

Events in Goa

Museum of Goa to Host Landmark Exhibition on Tibetan Exile and Cultural Survival

Tanisha Cardozo

The Museum of Goa (MOG) is set to open a landmark exhibition titled Refuge, Resilience, and Rights: The Tibetan Story, bringing to Goa a deeply moving exploration of exile, identity and cultural survival. The eight-day exhibition will run from March 1 to March 8, 2026, at the museum’s Pilerne campus.

Co-curated with the Tibet Museum, the exhibition forms part of The Infinite Ripple – 90 Years of Compassion, a larger commemorative programme reflecting on compassion, memory and shared humanity.

Through historical objects, archival photographs, personal testimonies and community narratives, the exhibition traces the journey of Tibetans from their displacement in the mid-20th century to the lived realities of Tibetan communities in India and across the world today. It examines how culture can be preserved without territory — sustained through lived practice, education, institutions and collective memory.

Sharada Kerkar, Director of the Museum of Goa, said the exhibition was chosen to foreground exile as a deeply human experience. She noted that Tibet’s story raises universal questions about identity, belonging and the preservation of culture across generations, especially when communities are separated from their homeland.

The exhibition is supported by the Foundation for Universal Responsibility of His Holiness The Dalai Lama and the Vimson Shivanand Salgaocar Group. It also anchors a wider programme of public engagement, including talks, film screenings and cultural events aimed at fostering deeper understanding.

The opening on March 1 will feature a talk by Professor Varun Sahni titled Compassion in a Complex and Often Cruel World, followed by the launch of the book Voice for the Voiceless and a guided walkthrough of the exhibition. Daily walkthroughs will continue from March 3 to 7, offering visitors detailed insights into the narratives and materials on display.

The exhibition will conclude on March 8 with talks by Karma Thupten and photographer Kishore Thukral, along with a traditional Blackhat Dance performance by monks from the Drepung Loseling Monastery — a powerful cultural expression rooted in Tibetan spiritual heritage.

By hosting Refuge, Resilience, and Rights: The Tibetan Story, the Museum of Goa reinforces its commitment to presenting global histories through a human lens — creating space for dialogue, empathy and reflection within the cultural landscape of Goa.

Events in Goa

Serendipity Arts Festival 2025 Opens in Panjim with a Grand Celebration of Heritage and Innovation

Tanisha Cardozo

Written by Tanisha Cardozo || Team Allycaral

The landmark 10th edition of Serendipity Arts Festival opened in Panjim on December 12 with a powerful celebration of India’s cultural heritage and contemporary artistic expression. Returning to Goa for ten days of immersive experiences, the opening day reflected the festival’s enduring vision of bridging tradition and innovation through art.

The evening commenced with the inauguration of Barge at the Captain of Ports Jetty in Old Goa, where Founder-Patron Mr. Sunil Kant Munjal welcomed audiences to the milestone edition. Reflecting on the journey of the festival, he described Serendipity Arts as a movement that has grown into a shared cultural space connecting artists, communities, and audiences across disciplines. The 10th edition, he noted, is dedicated to Mukta Munjal, whose early initiatives in the arts continue to inspire the festival’s spirit.

Curated by Veerangana Solanki, Barge transformed a floating structure into an experiential space exploring absence and presence through spatial, architectural, and sonic responses. Drawing from earlier exhibitions, the installation invited visitors to activate the space through movement, sound, and perception, leaving behind fleeting yet personal imprints.

The opening continued at Nagalli Hills with Palette(s), a striking performance by Cédric Gagneur and Marc Oosterhoff that reimagined wooden pallets as both object and collaborator. Blurring the lines between dance and circus, the performance explored gravity, vulnerability, and repetition in a raw and physical expression.

The night concluded with Clay Play, curated by Shubha Mudgal and Aneesh Pradhan, a mesmerizing performance that foregrounded percussion instruments crafted from clay. Rooted deeply in Goan traditions, the sounds of the ghumat and other instruments resonated through the space, reaffirming their place as living cultural practices rather than relics of the past.

Across the city, Beasts of Reincarnations: Mythical Beings in the City began appearing along Panjim’s streets and waterfronts. Curated by Diptej Vernekar, the large-scale installations reimagined Goa’s effigy-making traditions, inviting the public to encounter ritual memory through forms suspended between destruction, renewal, and contemporary urban life.

As the festival unfolds, exhibitions opening from December 14 will further expand this dialogue. These include Not a shore, neither a ship, but the sea itself at the Old GMC Complex, OTHERLAND at the Old GMC Building, and several immersive installations exploring systems, food memory, loss, movement, and sensory experience across multiple venues.

Day 1 of Serendipity Arts Festival 2025 set a compelling tone for the days ahead, weaving together local and global voices, traditional and contemporary practices, and transforming Panjim into a living, breathing canvas of artistic discovery.

Events in Goa

At Serendipity Arts Festival, a Goa Barge Transforms Into a Floating Exhibition

Tanisha Cardozo

Written by Tanisha Cardozo || Team Allycaral

At the 10th edition of the Serendipity Arts Festival, one of Goa’s iconic ore barges is set to take on an unexpected new role as a floating exhibition. Titled Barge, the installation will be anchored at the Captain of Ports Jetty in Old Goa from December 12, reimagining a vessel long associated with the state’s riverine economy as a space for artistic exploration. Curated by Mumbai-based writer and curator Veeranganakumari Solanki, the project transforms the familiar industrial structure into a participatory environment that listens as much as it speaks, inviting visitors to engage with ideas of presence, absence and sensory perception.

For decades, barges have been an essential part of Goa’s landscape—silently ferrying iron ore along its waterways and shaping the region’s industrial identity since the liberation era and the rise of mechanised mining. By bringing this utilitarian vessel into the realm of contemporary art, the exhibition bridges the gap between the everyday and the imaginative, framing the barge as a site of possibility rather than mere function. Solanki builds on ideas from three earlier Serendipity Arts Festival projects—Future Landing, Synaesthetic Notations and A Haptic Score—each of which explored the ways the human body interprets sensory information. These inquiries continue aboard the barge, where its cavernous architecture becomes a point of departure for artistic response.

Solanki describes the barge as a space defined by absence. Its hollow structure, she notes, creates a cavity where presence can form—whether through sound, memory or imagination. She reflects on how imagination emerges in the gaps between what we perceive and what remains unseen, and how this threshold becomes fertile ground for potentiality. The artists contributing to the exhibition—Prajakta Potnis, Hemant Sreekumar and Julien Segard—work directly with the vessel’s architecture, responding to the interplay of sound, space and material. Their works explore the fragile boundaries between the industrial and the imaginative, offering viewers a space to dwell in uncertainty rather than seek definitive answers.

A central element of Barge is an evolving sound work by artist Alan Rego, who has been studying the acoustic behaviour of the vessel. Rego collects sounds from within the barge and plans to submerge a microphone into the river during his performance, gathering underwater noise that will be processed in real time. Using a programme that breaks noise into frequencies and reshapes them into evolving patterns, he gradually transforms randomness into rhythm, noise into music. For Solanki, this transformation embodies the exhibition’s core idea that presence can emerge from absence and meaning can arise from what first appears incoherent.

Solanki’s curatorial practice has long explored the ways artistic forms converse across public and private spaces. Her experience as a Brooks International Research Fellow at Tate Modern, a resident at Delfina Foundation and her leadership roles at Space Studio and The Gujral Foundation reflects a deep engagement with art’s relationship to environment and community. She now co-directs the SqW:Lab Foundation and serves on the advisory committee of the Piramal Photography Gallery at the National Centre for the Performing Arts in Mumbai.

Visitors to Serendipity Arts Festival can experience Barge throughout the event at the Captain of Ports Jetty in Old Goa. The installation stands as an evocative reminder of how imagination can transform the familiar, offering a rare opportunity to step inside a vessel that has shaped Goa’s industrial history and witness it reimagined through the lens of sound, space and sensory inquiry.

Travel

A Treasury of Life: India’s Largest Exhibition of Company Paintings Opens in Goa

Tanisha Cardozo

Written by Tanisha Cardozo || Team Allycaral Travel Desk

DAG, in collaboration with the Department of Tourism, Government of Goa, is presenting A Treasury of Life: Indian Company Paintings, c. 1790–1835, the most comprehensive exhibition of Company Paintings ever mounted in India. Opening on 1 December 2025 at the Aguad Port & Jail Complex and running until 14 January 2026, the exhibition brings together 200 extraordinary works created by Indian artists who worked for European patrons in the late 18th and early 19th centuries.

Company paintings have long occupied an ambiguous position in Indian art history, often viewed as too late for the classical court tradition yet too early for modernism. This exhibition challenges that notion by showing how these artists blended indigenous techniques with Western influences, responding creatively to new patrons and subjects. Their work spans natural history, architecture, and depictions of daily life—each rendered with a mix of accuracy, sensitivity, and innovation. These paintings not only document India’s flora, fauna, built heritage, and social customs but also preserve memories of worlds that have since transformed or disappeared.

Curated by Giles Tillotson, SVP at DAG, the exhibition includes works by celebrated artists such as Sita Ram, Sewak Ram, and Chuni Lal, alongside European references by artists like James Forbes and F.B. Solvyns that help illuminate the artistic dialogue of the time. The showcase highlights how Indian artists forged a new visual language, laying the groundwork for future developments in Indian modernism.

Leaders from DAG and Goa Tourism emphasise the significance of hosting this exhibition in a historic site like Aguad, reinforcing Goa’s commitment to heritage-centred cultural experiences. The accompanying publication deepens the exploration with essays by leading scholars in the field.

Presenting a vital and often overlooked part of India’s artistic legacy, A Treasury of Life invites audiences to rediscover the creativity, adaptability, and brilliance of the Indian artists who shaped this remarkable visual tradition.

Events in Goa

Art Beyond Barriers: Accessibility at the Serendipity Arts Festival 2025

Tanisha Cardozo

Written by Tanisha Cardozo || Team Allycaral

The Serendipity Arts Festival returns to Panaji this December for its tenth edition, reaffirming its long-standing commitment to making art accessible to all. As South Asia’s largest multi-disciplinary arts festival, SAF has grown into a dynamic platform where artistic practices, lived experiences, and community relationships converge.

This year, the festival once again transforms Goa’s riverfront and public spaces into vibrant zones of creativity, connection and inclusion from December 12 to 21. Throughout the year, the festival travelled through Birmingham, Ahmedabad, Delhi, Varanasi, Chennai, Gurugram, Dubai and Paris, offering previews of its tenth edition and engaging new audiences beyond Goa. Accessibility has been at the foundation of the festival since its inception, and in 2025 it continues to be central to the programming curated by poet and artist Salil Chaturvedi.

At the Access Village in the Old GMC Complex, sensorial, interactive and community-centred projects welcome visitors with diverse needs to experience art in ways that honour dignity and participation.

This vision is echoed by founder and patron Sunil Kant Munjal, who emphasises that culture must belong to everyone and that no visitor should ever feel excluded. The festival brings a range of unique experiences such as Scented Stories, a fragrance-based storytelling workshop; Hand/Eye, which explores touch as a mode of visual perception; and Breath + Sound Immersion, which blends meditative breathwork with sound healing.

Spaces like Studio Me and the Sensory Room provide open, calming environments for neurodiverse and neurotypical visitors to decompress and create. Curated by Tanul Vikamshi, the Paper to Sculpture workshop focuses on recycled materials and collaborative processes, while Nature’s Symphony offers blind audiences an auditory and tactile introduction to urban birdlife at Art Park and the Access Village.

The Gallery presents Therefore I Am, showcasing seven artists whose practices draw deeply from lived disability. Performances include Silent Rhythms, featuring India’s first group of deaf performers led by Dr. Alim Chandani, and Poems on the Move 2.0, curated by Thukral & Tagra with Chaturvedi, bringing live poetry readings into shuttle cabs across the city.

At The Lab, workshops by Siddhant Shah, Access for All, Rohan Marathe and Shivani Dhillon invite children, seniors and neurodiverse participants into sessions such as Dear Normal, Sound of Silence, Sensory Storytelling and Panchtantra Stories. Special projects further expand the accessibility commitment, including Cinema for Every Sense with audio-described Hindi films and a Pilates Flow Performance by Kaizen Wellness.

SAF Director Smriti Rajgarhia reflects on the decade-long journey, emphasising that accessibility has been a core priority long before it became a larger cultural conversation and remains central to the festival’s mission. Co-patron Shefali Munjal echoes this, noting that the festival has grown into a movement that fosters creative and social connection while supporting artists and cultural heritage.

As registrations for the 2025 edition go live, audiences are invited to secure their passes and explore a growing programme of exhibitions, performances, workshops and immersive encounters designed to make art a space for everyone.