Tag: classic cinema

Films

Cinephile Film Club to Screen Nosferatu with Live Music in Panjim

Tanisha Cardozo

The Cinephile Film Club of the Entertainment Society of Goa is set to offer audiences a rare and immersive cinematic experience on Thursday, 19 February, at 6.30 pm, with a special screening of Nosferatu at Maquinez Palace Theatre, Panjim.

Directed by the legendary F. W. Murnau, Nosferatu remains one of the most influential works in the history of cinema. Released in 1922, the silent horror classic is a defining example of German Expressionism, celebrated for its haunting visuals, dramatic shadows, and deeply atmospheric storytelling. Though an unofficial adaptation of Dracula by Bram Stoker, the film carved its own identity, becoming a cornerstone of horror cinema.

Over the past century, there have been numerous reinterpretations of the Dracula legend across film industries worldwide. Yet Murnau’s Nosferatu endures as a cinematic landmark — not because it relies on dialogue or sound effects, but because it demonstrates the power of pure visual storytelling. The chilling silhouette of Count Orlok ascending a staircase remains one of the most iconic images in film history.

What makes this screening truly special is the live musical accompaniment. In the early 20th century, silent films were rarely screened in silence. Pianists and small ensembles would perform live, interpreting the film’s emotional landscape in real time. This Thursday’s screening aims to recreate that tradition.

The live score will be performed by cellist Martin Melendez, who studied music in Cuba, alongside accomplished pianist Guy Hershberg, who will perform on piano and synthesizer. The duo will improvise throughout the screening, responding intuitively to the shifting moods of the film — from quiet dread to stark beauty. Because the music is improvised, each performance becomes unique, ensuring that this is a one-of-a-kind experience.

Live accompaniment transforms the act of viewing into something communal and immediate. The musicians do not merely support the film; they engage in a dialogue with it, heightening tension, amplifying emotion, and occasionally allowing silence itself to resonate.

Through curated screenings such as this, the Cinephile Film Club continues its commitment to bringing meaningful cinema to audiences across Goa — extending beyond the festival circuit and fostering year-round film appreciation.

For film lovers, music enthusiasts, and anyone curious about cinema’s origins, this screening offers an opportunity to rediscover how movies once felt: intimate, experimental, and alive.

Screening Details:
📅 19 February
⏰ 6.30 pm
📍 Maquinez Palace Theatre, Panjim
🎟 Tickets available at the venue on a first-come, first-served basis.

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Terence Stamp, Charismatic Star of Stage and Screen, Dies at 87

Tanisha Cardozo

Terence Stamp, the captivating British actor whose magnetic presence graced more than 60 films across six decades, has died at the age of 87. His family confirmed the news on Sunday, though no cause of death was specified.

Best known to millions for his role as the authoritarian General Zod in the original Superman films, Stamp’s career ranged far beyond capes and comic book villains. From breakout heartthrob of the Swinging Sixties to spiritual seeker and boundary-pushing actor, Stamp remained one of cinema’s most enigmatic and fearless figures.

Born in Stepney, East London, in 1938, Terence Henry Stamp was the son of a tugboat worker and a homemaker. Despite a humble upbringing and early career advice steering him toward bricklaying, Stamp was drawn to the magic of cinema, influenced by his mother’s passion for movies and his own early obsession with Cary Grant.

After working in advertising and briefly in a hospital, Stamp pursued acting against all odds. He secured a drama school scholarship and, at just 24, earned international acclaim with his film debut in Billy Budd (1962). His performance as the idealistic young sailor was haunting and poetic, earning him an Oscar nomination for Best Supporting Actor and a Golden Globe for Best Newcomer.

Critics were taken by his “sinewy, boyish frame and the face of a Botticelli angel,” quickly vaulting him into the spotlight of Britain’s new wave of actors.

The 1960s were not just Stamp’s professional peak—they were also his cultural moment. Stylish, brooding, and undeniably handsome, he became one of the era’s most recognizable faces. He starred opposite screen legends and dated some of the most celebrated women of the time, including actress Julie Christie and supermodel Jean Shrimpton.

Stamp’s brief but iconic relationship with Christie was immortalized in The Kinks’ song “Waterloo Sunset,” with the famous lyric: “Terry meets Julie.”

However, as the decade closed, so too did that phase of his career. “When the 1960s ended, I think because I’d been so identified with it, I kind of ended as well,” he reflected on BBC Radio 4’s Desert Island Discs.

As leading roles dried up, Stamp made a life-altering decision. Distraught over his waning career and romantic heartbreak, he bought a round-the-world ticket and ended up in India, where he joined a spiritual retreat and studied yoga.

“I thought if I could be good looking, and I could be successful and I could be famous, everything would be solved,” he said. “And when it all kind of came to an end, I thought to myself there’s been a lot of fun but there hasn’t been any real, deep internal satisfaction.”

For a time, it seemed as if the silver screen had lost him. But the universe had other plans.

His unexpected return to mainstream fame came in the form of a telegram sent to a hotel in India:
“YOU HAVE SCENES WITH MARLON BRANDO.”

He was being summoned back to London to play General Zod in Superman (1978) and its sequel. The role not only revived his career but also became one of his most recognizable performances, making him a pop culture icon for a new generation.

His co-star Sarah Douglas remembered him fondly, saying:

“So saddened to learn that Terence has left us. I learnt so very much from him… What a start to my career to have spent so many months in his company.”

Never one to shy away from risk, Stamp’s most celebrated later role came in 1994’s The Adventures of Priscilla, Queen of the Desert, in which he played a transgender woman on a road trip through the Australian outback. Initially hesitant to accept the part, Stamp later credited a friend for encouraging him to take the leap.

Critic Roger Ebert praised the performance, writing:

“We’re distracted by the unexpected sight of Terence Stamp in drag, but Stamp is able to bring a convincing humanity to the character.”

The film became a cultural phenomenon, won an Oscar for Best Costume Design, and introduced Stamp to another generation of fans.

He also played standout roles in Far From the Madding Crowd, The Collector, Valkyrie, and worked with legends like Federico Fellini and Pier Paolo Pasolini during his time in Italy.

Stamp was also a writer and thinker. In his memoir, The Ocean Fell Into the Drop, he shared reflections on fame, self-worth, and the spiritual journey that carried him across continents.

He remained deeply introspective, saying of his early fame:

“I never imagined this would happen… I always thought after six months or so some great part would come up—and nothing did.”

Terence Stamp was more than a heartthrob, more than a villain, more than a style icon. He was an artist who dared to vanish, only to return with deeper insight. He defied the arc of typical fame — and instead charted a path that was uniquely his own.

In the end, he didn’t just act. He searched. He risked. He lived.

Rest in peace, Terence Stamp — a man who was never content to kneel.