Tag: Cinephile Film Club

Films

Cinephile Film Club to Screen Nosferatu with Live Music in Panjim

Tanisha Cardozo

The Cinephile Film Club of the Entertainment Society of Goa is set to offer audiences a rare and immersive cinematic experience on Thursday, 19 February, at 6.30 pm, with a special screening of Nosferatu at Maquinez Palace Theatre, Panjim.

Directed by the legendary F. W. Murnau, Nosferatu remains one of the most influential works in the history of cinema. Released in 1922, the silent horror classic is a defining example of German Expressionism, celebrated for its haunting visuals, dramatic shadows, and deeply atmospheric storytelling. Though an unofficial adaptation of Dracula by Bram Stoker, the film carved its own identity, becoming a cornerstone of horror cinema.

Over the past century, there have been numerous reinterpretations of the Dracula legend across film industries worldwide. Yet Murnau’s Nosferatu endures as a cinematic landmark — not because it relies on dialogue or sound effects, but because it demonstrates the power of pure visual storytelling. The chilling silhouette of Count Orlok ascending a staircase remains one of the most iconic images in film history.

What makes this screening truly special is the live musical accompaniment. In the early 20th century, silent films were rarely screened in silence. Pianists and small ensembles would perform live, interpreting the film’s emotional landscape in real time. This Thursday’s screening aims to recreate that tradition.

The live score will be performed by cellist Martin Melendez, who studied music in Cuba, alongside accomplished pianist Guy Hershberg, who will perform on piano and synthesizer. The duo will improvise throughout the screening, responding intuitively to the shifting moods of the film — from quiet dread to stark beauty. Because the music is improvised, each performance becomes unique, ensuring that this is a one-of-a-kind experience.

Live accompaniment transforms the act of viewing into something communal and immediate. The musicians do not merely support the film; they engage in a dialogue with it, heightening tension, amplifying emotion, and occasionally allowing silence itself to resonate.

Through curated screenings such as this, the Cinephile Film Club continues its commitment to bringing meaningful cinema to audiences across Goa — extending beyond the festival circuit and fostering year-round film appreciation.

For film lovers, music enthusiasts, and anyone curious about cinema’s origins, this screening offers an opportunity to rediscover how movies once felt: intimate, experimental, and alive.

Screening Details:
📅 19 February
⏰ 6.30 pm
📍 Maquinez Palace Theatre, Panjim
🎟 Tickets available at the venue on a first-come, first-served basis.

Films

‘Second Chance’: Subhadra Mahajan’s Poetic Portrayal of Healing, Womanhood, and the Himalayas

Tanisha Cardozo

Second Chance is an evocative and quietly powerful cinematic work by Subhadra Mahajan that blends themes of feminine healing, personal resilience, and environmental awareness in a narrative grounded in the raw beauty of the Himalayas. The film, shot entirely in black and white, takes viewers into the soul of a young woman navigating her inner trauma while immersed in the majestic yet fragile ecosystem of Himachal Pradesh.

The story revolves around Nia, played by Dheera Johnson, who retreats to her family’s summer home after facing her first significant emotional trauma. As she isolates herself in the quietude of the mountains, time, nature, and unexpected local friendships guide her toward inner healing. The slow, deliberate pace of the film reflects Nia’s own relationship with time and grief, allowing the audience to truly live the experience alongside her. The film does not rush—because healing does not.

What sets Second Chance apart is not only its emotionally intelligent storytelling but also its stylistic choices. Cinematographer Swapnil Sonawane’s decision to present the film in monochrome elevates the visual impact. Even without color, the landscapes of Himachal Pradesh breathe with life, mood, and metaphor. From forests to highlands, the visuals offer a grounding presence, anchoring the protagonist’s emotional evolution.

Subhadra’s decision to cast non-actors adds an organic authenticity to the film. The locals, with their natural speech and subtle gestures, become part of the narrative’s emotional fabric. Their presence doesn’t feel staged—it feels lived. These characters, many playing versions of themselves, create a community that gently supports Nia’s journey, reminding the viewer that healing often arrives in the form of small, unspoken acts.

The music, composed by Quan Bay, plays a crucial role in deepening the film’s emotional undertone. It drifts in and out like memory, never overwhelming the silence that carries so much weight in the story. Dance sequences are used with care and symbolism, not merely as performance but as extensions of the protagonist’s emotional state—moments when words no longer suffice.

The film, presented by the Entertainment Society of Goa’s Cinephile Film Club and hosted by Sachin Chatte, received a warm and thoughtful response from the audience. During the post-screening interaction, viewers expressed admiration for the film’s sensitivity and its honest portrayal of mental health, womanhood, and climate change without sensationalism. Many hoped the Himachal Pradesh government would support the film, given how genuinely it showcases the region’s culture and ecological reality.

Second Chance premiered at the prestigious Karlovy Vary International Film Festival and has since traveled globally to festivals including Busan, Hamburg, Sao Paulo, Adelaide, and Belfast. Its universal themes of personal growth and the delicate relationship between humans and nature have resonated with audiences worldwide.

This film is not just a story; it’s a visual meditation on second chances—for women, for nature, and for anyone who has ever sought to begin again.