Category: Films

Films

SC Refuses Ban on Yadav Ji Ki Love Story, Says Title Not Defamatory

Tanisha Cardozo

In a significant development highlighting the intersection of cinema and constitutional rights, the Supreme Court of India has refused to impose a ban on the film Yadav Ji Ki Love Story, dismissing a petition that challenged its title. The plea, filed by the chief of the Vishwa Yadav Parishad, argued that the film’s name portrayed the Yadav community in a negative light and sought either a ban or a change in the title.

Hearing the matter, a bench comprising Justices BV Nagarathna and Ujjal Bhuyan examined the arguments and the material presented before them. The court ultimately found the concerns to be unfounded, stating that the title of the film did not contain any language or implication that could be seen as derogatory towards the Yadav community.

Justice Nagarathna observed that the court could not understand how the title alone could reflect negatively on an entire community, especially when it lacked any explicit or implied negative descriptors. The bench emphasised that none of the reasonable restrictions outlined under Article 19(2) of the Constitution—which governs limitations on freedom of speech and expression—were applicable in this case.

The court also drew a distinction between this matter and a previous controversy surrounding the film Ghooskhor Pandat. In that instance, the word “ghooskhor,” meaning corrupt, was deemed to carry a clearly negative connotation that could reflect poorly on a community, prompting judicial intervention. However, in the present case, the bench noted that no such negative association existed in the title Yadav Ji Ki Love Story.

During the proceedings, the petitioner’s counsel clarified that their objection was not to inter-community relationships depicted in the film, but rather to how certain aspects, including the portrayal of a woman, were handled. Despite these arguments, the court maintained that the film is a work of fiction and does not warrant judicial interference based on speculative concerns.

With the petition dismissed, the path is now clear for the film’s release, scheduled for February 27. The ruling reinforces the judiciary’s stance on protecting creative expression while carefully weighing claims of community harm, once again underlining the importance of context and intent in such disputes.

Films

Boong Makes History: Indian Film Wins Big at 79th BAFTA Awards

Tanisha Cardozo

Indian cinema has reached yet another remarkable milestone on the global stage, as Boong, a Manipuri-language feature film, clinched the prestigious Best Children’s & Family Film award at the British Academy Film Awards. The ceremony, held at the Royal Festival Hall in London, witnessed the film rise above strong international contenders, marking a proud moment for the country—especially for filmmakers from Northeast India.

Directed by Lakshmipriya Devi, Boong is backed by a powerful production team including Excel Entertainment, Chalkboard Entertainment, and Suitable Pictures. Renowned filmmaker and actor Farhan Akhtar, along with Ritesh Sidhwani and Alan McAlex, played a key role in bringing the project to life.

Set against the backdrop of Manipur during a period of social and political unrest, Boong tells a deeply emotional story through the eyes of a five-year-old boy. The word “Boong” itself translates to “little boy” in the Manipuri language. The narrative follows the young protagonist, played by Gugun Kipgen, who embarks on a heartfelt journey to reunite his family by finding his estranged father. Accompanied by his friend Raju, portrayed by Angom Sanamatum, the journey takes them to the Moreh border and even across into Myanmar.

What begins as an innocent quest gradually evolves into a poignant exploration of family, loss, and the harsh realities of the world. The film beautifully captures the purity of childhood while presenting an emotionally layered narrative that resonates universally.

Before its BAFTA triumph, Boong had already made waves across the international film festival circuit. It premiered at the Toronto International Film Festival (TIFF) 2024 and was showcased at prestigious platforms such as the Warsaw International Film Festival, MAMI Mumbai Film Festival, the International Film Festival of India, and the Indian Film Festival of Melbourne. Following its successful festival run, the film was released theatrically in September 2025.

Speaking about his association with the project, Farhan Akhtar shared that his long-standing connection with director Lakshmipriya Devi and the emotional depth of the story inspired him to support the film. He emphasized the importance of bringing stories from underrepresented regions of India to a global audience, calling Boong a soulful and meaningful narrative.

The film’s victory at the BAFTAs is more than just an award—it represents a breakthrough moment for Northeast Indian cinema. It highlights the richness of regional storytelling and signals a growing global appreciation for diverse voices from India.

As Boong continues to receive international recognition, it stands as a testament to the power of authentic storytelling and the limitless potential of Indian cinema on the world stage.

Films

Eric Dane’s Final Euphoria Chapter: Filmed Amid ALS Battle, Legacy Lives On

Tanisha Cardozo

The final chapter of Eric Dane in Euphoria is not just another television milestone—it is a story of perseverance, passion, and an artist’s unwavering commitment to his craft even in the face of a life-altering diagnosis. Known for his portrayal of Cal Jacobs, Dane brought depth and discomfort in equal measure to a character that became one of the most talked-about elements of the series.

It has now been confirmed that Dane completed filming for Season 3 of the show before his passing on February 19, 2026, at the age of 53. His return to set in April 2025 came at a deeply personal moment, as it coincided with his public revelation that he had been diagnosed with amyotrophic lateral sclerosis (ALS), also known as Lou Gehrig’s disease. Despite the challenges that come with such a diagnosis, Dane chose to continue working, a decision that now lends profound emotional weight to his final performance.

As Cal Jacobs, the troubled father of Nate Jacobs, played by Jacob Elordi, Dane explored the complexities of a man living a double life. Cal’s character was marked by secrecy, internal conflict, and destructive coping mechanisms, including alcoholism and hidden relationships that often placed him at odds with himself and those around him. It was a role that required vulnerability and fearlessness, and Dane delivered both with striking authenticity.

In an earlier interview, Dane had hinted that the upcoming season would bring “a moment of truth and some sort of redemption” for Cal, suggesting a significant turning point in the character’s journey. That promise now carries even greater emotional resonance, as audiences prepare to watch what will be his final on-screen work.

Filming for Season 3 wrapped later in 2025, ensuring that Dane’s performance would remain an integral part of the show’s evolving narrative. The season is set to premiere on Hulu on April 12, and it is expected to draw significant attention not only for its storyline but also for the legacy it carries.

Dane’s passing followed what his family described as a rapid 10-month battle with ALS. In their statement, they shared that he spent his final days surrounded by loved ones and became an advocate for ALS awareness and research during his illness. His journey, both personal and professional, has since become a source of inspiration for many.

The entertainment industry continues to mourn his loss, with tributes pouring in from colleagues and fans alike. Among them was a heartfelt message from Jessica Capshaw, his former co-star from Grey’s Anatomy, reflecting the deep impact he had on those he worked with.

As audiences await the release of Euphoria Season 3, Eric Dane’s performance stands as more than just a continuation of a story—it becomes a lasting testament to resilience, artistry, and the enduring power of storytelling.

Films

Cinephile Film Club to Screen Nosferatu with Live Music in Panjim

Tanisha Cardozo

The Cinephile Film Club of the Entertainment Society of Goa is set to offer audiences a rare and immersive cinematic experience on Thursday, 19 February, at 6.30 pm, with a special screening of Nosferatu at Maquinez Palace Theatre, Panjim.

Directed by the legendary F. W. Murnau, Nosferatu remains one of the most influential works in the history of cinema. Released in 1922, the silent horror classic is a defining example of German Expressionism, celebrated for its haunting visuals, dramatic shadows, and deeply atmospheric storytelling. Though an unofficial adaptation of Dracula by Bram Stoker, the film carved its own identity, becoming a cornerstone of horror cinema.

Over the past century, there have been numerous reinterpretations of the Dracula legend across film industries worldwide. Yet Murnau’s Nosferatu endures as a cinematic landmark — not because it relies on dialogue or sound effects, but because it demonstrates the power of pure visual storytelling. The chilling silhouette of Count Orlok ascending a staircase remains one of the most iconic images in film history.

What makes this screening truly special is the live musical accompaniment. In the early 20th century, silent films were rarely screened in silence. Pianists and small ensembles would perform live, interpreting the film’s emotional landscape in real time. This Thursday’s screening aims to recreate that tradition.

The live score will be performed by cellist Martin Melendez, who studied music in Cuba, alongside accomplished pianist Guy Hershberg, who will perform on piano and synthesizer. The duo will improvise throughout the screening, responding intuitively to the shifting moods of the film — from quiet dread to stark beauty. Because the music is improvised, each performance becomes unique, ensuring that this is a one-of-a-kind experience.

Live accompaniment transforms the act of viewing into something communal and immediate. The musicians do not merely support the film; they engage in a dialogue with it, heightening tension, amplifying emotion, and occasionally allowing silence itself to resonate.

Through curated screenings such as this, the Cinephile Film Club continues its commitment to bringing meaningful cinema to audiences across Goa — extending beyond the festival circuit and fostering year-round film appreciation.

For film lovers, music enthusiasts, and anyone curious about cinema’s origins, this screening offers an opportunity to rediscover how movies once felt: intimate, experimental, and alive.

Screening Details:
📅 19 February
⏰ 6.30 pm
📍 Maquinez Palace Theatre, Panjim
🎟 Tickets available at the venue on a first-come, first-served basis.

Films

Prathamesh Films Announces One of the Biggest Konkani Films Ever Backed

Tanisha Cardozo

Prathamesh Films has announced what is being described as one of the biggest Konkani films ever envisioned, marking a significant moment for Goa’s regional film industry. Backed by producer Prathamesh Dinesh Naik, the ambitious project reflects a strong belief that Goan stories deserve to be told with scale, dignity and national ambition.

The upcoming feature, produced in association with Bymistake Motion Pictures, represents an unprecedented investment for the Konkani market. The initiative goes beyond commercial intent, positioning itself as a cultural commitment to the people of Goa, local creative talent and the long-term growth of Konkani cinema. The stated objective is clear: to ensure that Konkani films gain recognition and respect on a national platform while retaining their regional authenticity.

For this ambitious venture, the production house sought a filmmaker capable of balancing commercial appeal with cultural depth. Aniket Arun Naik emerged as a natural choice. Following the success of the blockbuster Konkani film Amizade and his impactful role as a distributor expanding the theatrical reach of Aai Saiba!—which crossed over 300 shows in multiplexes within four weeks—Aniket has established himself as a key figure in Goa’s contemporary film landscape.

His return to the director’s chair with this large-scale action drama signals a defining moment for the industry. Deeply rooted in Goan soil, the film promises to blend high-octane action with an emotionally resonant narrative celebrating the culture, spirit and identity of Goa. The collaboration aims to set new benchmarks for Konkani cinema by combining production scale, storytelling sincerity and cinematic impact.

As regional cinema across India gains greater prominence, this project positions Konkani films within that larger national conversation. With a strong creative vision and strategic industry collaboration, the upcoming feature aspires to redefine expectations and broaden the horizons of Goan cinema.