Written by Tanisha Cardozo || Team Allycaral
DAG, in collaboration with the Department of Tourism, Government of Goa, has opened A Treasury of Life: Indian Company Paintings, c. 1790 to 1835, the most comprehensive exhibition of its kind in India, at the Aguad Port & Jail Complex. Featuring over 200 works drawn entirely from the DAG collection, the exhibition is curated by Giles Tillotson, Senior Vice President at DAG, and remains on view from 2 December 2025 to 14 January 2026, following a private preview held on 1 December.
Dedicated to honouring the largely anonymous Indian artists commissioned by the East India Company in the late 18th and early 19th centuries, the exhibition explores how these painters responded creatively to new forms of patronage. Moving beyond traditional courtly conventions, they developed entirely new visual languages that blended Indian artistic practices with Western influences, marking a crucial transition in the evolution of Indian art.
Long marginalised within art historical narratives, Company painting has often been viewed as falling between classical tradition and modernism. A Treasury of Life challenges this perception by positioning the genre as a vital precursor to Indian modernism. The exhibition presents works across three broad themes: natural history, architecture, and Indian manners and customs. Together, these paintings document India’s flora and fauna with scientific precision, record architectural landmarks and cityscapes through hybrid visual techniques, and vividly portray traders, artisans, religious figures, and sacred idols.
Beyond their aesthetic value, these works serve as historical records of worlds that have since undergone profound transformation. From depictions of now-endangered plant species and altered ecosystems to careful renderings of architectural heritage and social customs, the paintings offer rare visual insights into India’s past. They also reflect European patrons’ desire to document an unfamiliar land and the ingenuity with which Indian artists adapted their skills to meet new expectations and audiences.
The exhibition includes works by known Company artists such as Sita Ram, Sewak Ram, and Chuni Lal, alongside contextual works by European artists including James Forbes, F. B. Solvyns, and Charles Gold. These references illuminate the broader visual culture of the period, demonstrating how Indian painters engaged with foreign models to create something entirely new rather than merely imitating Western styles.
Speaking on the occasion, Hon’ble Minister for Tourism, Shri Rohan A. Khaunte, said the exhibition brings to Goa an extraordinary era of Indian artistic brilliance and reinforces the state’s growing role as a centre for heritage-driven cultural experiences. Ashish Anand, CEO and Managing Director of DAG, noted that the exhibition builds on the gallery’s longstanding commitment to presenting pre-modern and hybrid art practices that laid the groundwork for Indian modernism.
Director of the Department of Tourism, Shri Kedar Naik, highlighted the exhibition’s contribution to Goa’s cultural calendar and its role in promoting meaningful tourism rooted in learning and heritage. Managing Director of GTDC, Shri Kuldeep Arolkar, and Vice President of Operations and Business Development at Aguad Port and Jail Complex, Shri Savio Mathias, also emphasised the importance of hosting high-calibre cultural initiatives that bring together art, history, and public engagement.
Accompanied by a publication featuring an introductory essay by curator Giles Tillotson and scholarly contributions from Apurba Chatterjee, Nicolas Roth, Malini Roy, Rosie Llewellyn-Jones, and Jennifer Howes, A Treasury of Life repositions Company painting as an essential chapter in India’s artistic journey. The exhibition invites audiences to reconsider the beginnings of modern Indian art through the lens of a genre that captured a moment of profound transition and creative exchange.
Discover more from Allycaral
Subscribe to get the latest posts sent to your email.
