When Arijit Singh announced his decision to step away from playback singing earlier this year, it felt like a quiet storm passing through the music world. There was no drama, no grand farewell—just a simple note, almost like one of his songs, understated yet deeply emotional. For fans who have grown up with his voice stitched into their memories, it felt personal.
But now, in a message that feels both comforting and bittersweet, Arijit has reminded everyone that endings are rarely absolute. In a heartfelt note shared with his listeners, he expressed gratitude for the love he has received in what he called a “ruthless world.” At the same time, he revealed something that instantly reignited hope—his journey isn’t entirely over yet. There are still many songs left unfinished, and those songs will continue to find their way to listeners over the course of this year, possibly even beyond.
It’s a revelation that changes the tone of his “retirement.” Instead of a sudden silence, what lies ahead is a slow fading echo—new releases that carry the essence of what he has always been known for: emotion, depth, and an uncanny ability to make every listener feel seen. For fans, this means that the connection isn’t being cut off abruptly. Instead, it’s being extended, gently, song by song.
His note, however, wasn’t just about music. It carried a philosophical undertone—advice to step away from noise, to read, to meditate, to find peace. It felt like Arijit wasn’t just signing off from playback singing, but also urging people to reconnect with themselves in a world that rarely slows down. And then came the line that has stayed with everyone: “Who knows what lies ahead?”
That one sentence has sparked countless interpretations. Is it a hint at a possible return? Or simply an acknowledgment that life is unpredictable, even for someone who seems so certain about stepping back? Fans, of course, are holding on to hope. Because when an artist like Arijit leaves the door even slightly open, it’s hard not to imagine him walking back in someday.
Interestingly, his retirement announcement in January had already created waves across the industry. Even Aamir Khan personally visited him, urging him not to quit, especially while working on the title track of Ek Din, a film connected to his son. The moment, captured in a behind-the-scenes video, showed just how valued Arijit is—not just as a singer, but as an emotion that filmmakers rely on. Meanwhile, voices like Shreya Ghoshal stood in support of his decision, respecting the choice of an artist who has given so much over the years.
What makes this phase particularly intriguing is its in-between nature. Arijit Singh is neither fully present in the playback scene nor completely gone. He exists in this space where his past work continues to breathe, and his unfinished songs promise a future that hasn’t entirely closed.
And maybe that’s what makes it so poetic. Because if there’s one thing Arijit Singh has always done, it’s leave us with feelings that linger long after the music stops.
Kerala has officially been renamed “Keralam,” marking a significant moment where constitutional identity finally aligns with linguistic and cultural reality. For decades, “Keralam” has been the name used in Malayalam—the language spoken by millions in the state—yet the official name recorded in the Constitution remained “Kerala.” That distinction has now been erased, bringing a sense of closure to a long-standing demand rooted in history and identity.
The journey to this moment began with a resolution passed by the state assembly in 2024 under the Communist Party of India (Marxist)-led government. The resolution highlighted how Indian states were reorganised on linguistic lines in 1956, and how the formation of a unified region for Malayalam-speaking people was deeply tied to identity. November 1, celebrated as Kerala Piravi Day, marks that formation, yet the official naming had remained inconsistent with local usage. The push to adopt “Keralam” was therefore not about change, but about correction.
With the renaming now official, the spotlight has also turned to its political context. The decision comes at a time when the Bharatiya Janata Party is working to strengthen its presence in a state traditionally dominated by the Left and the Congress. Leaders such as Rajeev Chandrasekhar have framed the move as part of a broader effort to reclaim cultural identity and address what they describe as unfinished work of previous decades.
At the same time, the renaming intersects with ongoing debates around language in India. Kerala has often been at the centre of discussions on linguistic autonomy, particularly in resisting the compulsory imposition of Hindi. While leaders like Amit Shah have emphasised the importance of promoting Indian languages collectively, the state has consistently asserted the primacy of mother tongue and regional identity in education and governance. In that context, adopting “Keralam” strengthens the argument for linguistic recognition within the federal structure.
Beyond politics, however, the emotional resonance of the change is undeniable. For Malayalis, “Keralam” is not new—it is familiar, lived, and deeply personal. It reflects how people refer to their land in everyday life, in literature, in cinema, and in cultural expression. The official adoption of the name is therefore less about transformation and more about acknowledgement.
As “Keralam” enters formal use, it stands as a reminder of how names carry meaning far beyond words. They hold history, identity, and belonging—and in this case, they also carry the weight of timing, politics, and aspiration in a state that continues to evolve while staying rooted in its cultural core.
The Junior Cricket Championship 2026 is all set to bring an exciting wave of grassroots cricket action to Goa as young talents gear up to showcase their skills from February 25 to 28. Organised by Oxford Cricket Club, the tournament will be held across two venues—Arlem Ground in Margao and Chicalim Ground in Vasco—creating a competitive yet nurturing environment for budding cricketers.
Spanning four days, the championship will feature three key age categories—U-15, U-14, and U-13—ensuring a broad platform for emerging players at different stages of development. Matches will follow a 25-over format, scheduled across morning and afternoon sessions, allowing for a packed and engaging tournament structure. The league stage will culminate in a third-place playoff and the grand finale on February 28, promising a thrilling conclusion.
A total of eight teams have been divided into two groups, setting the stage for intense competition. Group A includes Dhadsakal Star, AK Rangers, Banjara Cricket Club and Ghumteshwar, while Group B features Oxford, MCC, Panjim Challengers and Porvorim Panthers. With teams evenly matched, the championship is expected to deliver high-energy encounters leading into the knockout rounds.
The tournament, powered by CricHeroes, reflects a growing emphasis on structured cricket at the grassroots level in Goa. Speaking about the initiative, JCC President Romeen Mulam shared that the idea stemmed from a noticeable gap in organised opportunities for young players. While tennis-ball cricket tournaments and auctions are common among adults, similar platforms for children were largely absent until recent efforts.
Mulam recalled that the club itself was founded two decades ago in Dubai under the guidance of Mukhtar Khadri, with a vision to create meaningful cricketing opportunities. Bringing that vision to Goa, the championship aims to bridge the gap and offer young players a chance to experience competitive cricket in a professional setup.
The response to the tournament has been overwhelmingly positive. Despite initially capping participation at 150 players, registrations surged to 196, reflecting strong interest from both players and parents. This enthusiasm underlines the growing appetite for structured sporting opportunities among Goa’s youth.
Mulam also acknowledged the support extended by the Goa Cricket Association and the Sports Authority of Goa, which has been instrumental in ensuring the smooth conduct of the event. Their involvement further strengthens the credibility and scale of the championship.
Beyond the matches and competition, the organisers envision the Junior Cricket Championship as a long-term initiative that will become a staple in Goa’s sporting calendar. By providing consistent exposure and a professional framework, the tournament seeks to nurture talent at an early stage and contribute to the development of future cricket stars from the region.
As the tournament gets underway, cricket enthusiasts, parents and supporters are invited to witness the action unfold and cheer on the next generation of Goan cricketers. With high energy, competitive spirit and raw talent on display, the Junior Cricket Championship 2026 promises to be a celebration of youth, passion and the future of cricket in Goa.
At 17, like many others trying to follow a “secure” path, he chose medicine. Enrolling in an MBBS program wasn’t just a career decision—it was also about living up to expectations, especially those shaped by family. But even while navigating textbooks and lectures, there was another side to him quietly growing stronger. He wrote poetry, stories, even drama—creative expressions that hinted at something deeper waiting to surface.
It didn’t take long for that internal conflict to become impossible to ignore.
Something didn’t align.
And that simple realization led to a much bigger question—who was he, really?
What followed wasn’t a sudden breakthrough, but a phase of exploration. Swapnil began trying different forms of expression, almost like searching for a language that felt truly his. Music came first. He picked up the guitar and flute, even played in a band. For a while, it seemed like this could be it. But slowly, doubt crept in. He felt he had started too late, that he might never reach the level he envisioned.
Writing, which had once felt natural, also began to feel limiting. Not because he didn’t love it—but because it didn’t fully capture everything he wanted to say.
And then, cinema happened.
During his college years, exposure to world cinema and a filmmaking workshop changed everything. It wasn’t just about watching films—it was about understanding them. Breaking them down. Feeling them differently.
For the first time, he found a medium that didn’t ask him to choose between his interests. Cinema allowed him to combine them all—music, writing, visuals, performance. It was collaborative, layered, and limitless.
It felt like home.
Like many filmmakers, his influences were shaped by what moved him. The raw honesty of Anurag Kashyap left a strong impression early on. He admired the craftsmanship of Vijay Anand and the storytelling brilliance of Salim–Javed, even before he consciously realized their impact.
Over time, his cinematic world expanded. Filmmakers like Mani Ratnam and Mahesh Bhatt added new layers to his understanding of storytelling.
Across regions and borders, inspiration continued to flow—from Lijo Jose Pellissery and Umesh Kulkarni to global masters like Bong Joon-ho, Akira Kurosawa, Park Chan-wook, and Martin Scorsese. He also holds Billy Wilder among his absolute favorites, alongside Woody Allen and Kathryn Bigelow.
Beyond cinema, literature shaped him just as deeply—especially the works of Haruki Murakami. But above everything else, Swapnil believes that life itself is the greatest teacher.
His approach to storytelling reflects that belief.
Ideas don’t arrive in a structured format. They come as fragments—a visual, a feeling, a line of dialogue, sometimes even a news report. His film Stolen was born from one such moment—a disturbing real-life incident where misinformation spread through WhatsApp led to mob lynching. But instead of simply recreating the event, he chose to explore the psychology behind it. Why do people behave the way they do in a crowd? What drives fear into violence?
That curiosity became the foundation of the film.
His process is meticulous but organic. A spark becomes a premise. A premise becomes a logline. That expands into a paragraph, and eventually a detailed treatment of 30 to 40 pages. Only then does the screenplay begin.
And even then, it’s just the beginning.
The first draft—often stretching between 100 to 150 pages—is far from final. For Swapnil, writing is rewriting. And in filmmaking, rewriting doesn’t stop on paper—it continues on set, and even in the editing room.
Collaboration plays a crucial role here, especially with actors. During Stolen, he remained closely involved throughout the shoot, constantly refining scenes. He values the way actors interpret moments, often catching nuances that might escape a writer or director too close to the material.
But like most independent filmmakers, the journey hasn’t been without challenges.
Reaching the right audience remains one of the biggest hurdles. While mainstream films like Pushpa: The Rise are built for mass appeal, independent cinema often struggles with distribution—both in theatres and on OTT platforms.
This is where film festivals become vital.
For Swapnil, they weren’t just platforms—they were gateways. Stolen connected with audiences far beyond India, resonating in countries like Italy, Germany, and China. Its premiere at the Venice Film Festival in 2023 marked a defining moment in his journey.
But what makes that milestone even more powerful is the journey behind it.
The film began in November 2019 and went through nearly 70 drafts before reaching its final form. Years of persistence, doubt, rewriting, and rebuilding—all leading to a story that finally found its audience.
At its core, Swapnil’s work is driven by connection.
He wants audiences to feel something—whether it’s laughter, discomfort, fear, or empathy. He sees himself as both an entertainer and a storyteller, someone who can engage while also making people think.
And he’s far from done exploring.
Currently, he’s venturing into horror and thriller genres, while also working on a deeply personal story about two societal misfits—another example of his instinct to explore the human condition from different angles.
On a personal level, the success of Stolen brought something beyond professional validation.
It brought emotional closure.
Walking away from medicine without industry backing wasn’t easy. But today, seeing his parents proud of the path he chose—that makes it all worth it.
Stories, for Swapnil, are not just a profession—they’re a way of life. He consumes them endlessly—books, films, poetry, graphic novels. There are days he watches three to four films back-to-back, simply because he wants to understand storytelling better.
And if you asked him which fictional world he’d step into?
It would be Breaking Bad—to experience life as Walter White.
Because at the end of the day, what fascinates him most isn’t just stories—it’s people. Their choices, their contradictions, their journeys.
And maybe that’s why, if given a superpower, he wouldn’t choose invisibility or flight.
He’d choose storytelling.
The power to move people. To persuade. To connect.
Because sometimes, the most powerful thing you can do… is tell a story well.
In a continued effort to promote skill development and empower local communities, JCI Sanquelim successfully concluded its 10th Aari Workshop at Bhirondem in Sattari. The initiative marked yet another milestone in nurturing creativity and self-reliance among women in the region.
The six-day workshop saw the participation of 10 women, who were trained in the intricate and delicate art of Aari designing. Known for its detailed embroidery techniques, Aari work requires precision, patience, and creativity—skills that the participants actively developed over the course of the training. More importantly, the workshop provided them with a strong foundation and the confidence to pursue Aari art professionally, should they choose to explore it as a source of livelihood.
This initiative was conducted under the KAABIL Project of JCI India, a nationwide program focused on enhancing employability and empowering individuals through practical skill-building activities. Through such programs, JCI organizations across the country continue to make a meaningful impact at the grassroots level.
The workshop was led by JC Smita Gawalkar, whose expertise and hands-on guidance played a crucial role in ensuring the success of the training. Her approach not only focused on technical skills but also encouraged participants to believe in their creative potential.
The certification ceremony was held in the presence of JC Asmita Gauns, President of JCI Sanquelim, and JC Nikita Desai, who applauded the participants for their dedication and enthusiasm throughout the workshop.
A special note of gratitude was extended to Mrs. Rajana Rane, Panch Member of Bhirondem Panchayat, for generously providing the venue and supporting the initiative. Her contribution helped create a conducive environment for learning and collaboration.
The success of this workshop highlights the importance of community-driven initiatives in creating opportunities and fostering independence. With each such effort, JCI Sanquelim continues to inspire change—one skill, one individual, and one community at a time.
