Written by Tanisha Cardozo, Team Allycaral
Cinema from Northeast India is set to make a strong impression at the 56th International Film Festival of India (IFFI) 2025 in Goa, with a remarkable lineup of films from Assam, Manipur, and Sikkim featured in the Indian Panorama section. The festival, scheduled from November 20 to 28, 2025, continues to serve as a vibrant showcase of Indian creativity, cultural diversity, and cinematic excellence.
The Indian Panorama, a flagship component of IFFI since 1978, is devoted to promoting Indian films that represent the best of the country’s creative spirit and cultural heritage. This year’s selection highlights the Northeast’s cinematic growth and the region’s distinctive storytelling tradition that blends realism, identity, and emotion.
In the Feature Film category, Assam and Manipur have made a powerful mark. Bhaimon Da (Assamese), directed by Sasanka Samir and produced by Zeal Creations, tells the inspiring story of celebrated Assamese filmmaker Munin Barua, exploring his life and the challenges faced by Assamese cinema across decades. The film is both a tribute and a chronicle of artistic perseverance.
From Manipur, Naorem Dinesh Singh’s Oitharei continues the state’s legacy of socially conscious cinema. The film tells the story of a widow displaced by the ethnic unrest in Manipur since 2023, offering a poignant portrayal of grief, survival, and the quest for peace. Produced under Oitharei, it reflects the emotional depth that has long defined Manipuri filmmaking, echoing the work of masters like Aribam Syam Sharma.
Adding to Assam’s prominence is Sikaar, directed by Debangkar Borgohain and produced by Mitra Bhattacharya, which has been selected for the Mainstream Cinema section. Starring Zubeen Garg, Urmila Mahanta, and Adil Hussain, the film is being hailed for its high production values, compelling narrative, and status as the most expensive Assamese film ever made. Sikaar symbolizes a new era of ambition for Assamese cinema, blending regional storytelling with national appeal.
The region’s strength also extends to the Non-Feature Film category. Assam’s Patralekha, directed by Namrata Datta, explores themes of identity and communication through a poetic lens. From Manipur, Battlefield by Borun Thokchom captures the stark realities of life in a conflict-torn state with documentary precision and emotional power.
From Sikkim, Samten Bhutia’s Shangrila, produced by the National Film Development Corporation of India (NFDC), provides a rare window into Sikkimese culture and creativity. The Sikkimese-language documentary expands the cinematic map of the Northeast, celebrating the region’s evolving artistic identity and contribution to Indian cinema.
On November 27, IFFI will host a special discussion titled “New North East Cinema and Film Schools.” The session will examine the emergence of a new generation of filmmakers from Indian film schools, particularly from the Northeast, and how these institutions nurture unique voices that bring fresh perspectives to national cinema. The dialogue will explore how these directors are reshaping Indian storytelling through authenticity, experimentation, and regional identity.
The inclusion of films from Assam, Manipur, and Sikkim at IFFI 2025 reflects the growing prominence of the Northeast as a cinematic powerhouse. With stories rooted in culture, resilience, and human emotion, the region continues to redefine the contours of Indian filmmaking — asserting that powerful narratives often emerge from the country’s most diverse corners.
