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Poetry in Motion: Poets Narrate Their ‘Poems on the Move’ Across Panaji at SAF 2024


Poetry hitched a ride along at the ongoing Serendipity Arts Festival, with young poets armed with poetry, stepping onboard festival shuttles travelling between festival venues and regaling passengers with quick, unexpected bursts of poems. 

Conceived as part of the festival’s special programming under the ‘Poems on the Move’ project, curated by Goa-based writer, poet Salil Chaturvedi and Delhi-based artist duo Jiten Thukral & Sumir Tagra, the special guerilla-styled poetry project, was aimed at creating unique, transient spaces where individuals come together in unexpected moments of wonder, reshaping how we perceive both poetry and the urban journey, while also driving home the significance of a pause in fast-paced urban environments. 

“Poetry brings a pause. Even if it’s bad poetry, it brings a (sense of) pause. Because you need to be in a certain mood or stop and engage with it. As you can see in the hustle and bustle, you do need to stop and reflect,” said Chaturvedi, an acclaimed poet himself. 

According to Thukral, through ‘Poems on the Move’ “we wanted the most mundane journey of sitting in a cab to be the most memorable, in a way that these 5 minutes of your life can be seen as slowing down.”

Goan-origin poets, namely Asavari Gurav, Deepali Sutar, Mamata Verlekar, Rochelle D’Silva joined forces with Rochelle Potkar, Anamika Joshi and Darshan Singh Grewal, for the special project. 

And the reaction from their audiences, co-passengers in festival shuttles, was enjoyable for both the poet and the passengers. 

“People thoroughly enjoyed listening to the poems and appreciated the intimate nature of the conversation. Some even shared their poems with me, making this exchange a truly special and memorable experience,” Verlekar said. 

“There have been instances where someone has sat in (the shuttle) and didn’t want to listen to poetry. But, then at the end of it, they didn’t want to leave. So, I’ve had people who have taken that journey to Nagalli and come back to Old GMC Complex with me to listen to more poetry,” said D’Silva. 

‘Poems on the Move’ presented an intimate and experimental poetic encounter that turned a quintessentially mundane urban experience—a cab ride—into a journey of poetic discovery and the presence of local Goan poets who knew the lay of the land helped, says co-curator Tagra. 

“Most of our poets are local; they know Goa; they know how to navigate,” he concluded. 

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Art, Movement, and Transformation Take Center Stage on Day 2 of Serendipity Arts Festival 2024


The second day of the Serendipity Arts Festival 2024 unfolded with an extraordinary mix of performances, workshops, and installations that spotlighted the intersection of art, space, and community. Visitors engaged with projects that pushed creative boundaries, offering transformative encounters across dance, storytelling, and culinary exploration.

The day began at The Food Lab in the Old GMC Complex, the workshop Cultures of Transformation, led by fermentation expert Eleni Michael, delved into the ancient art of fermentation. Eleni invited participants to rediscover microbes as integral to culinary traditions and ecological systems, offering practical insights into reducing waste while unlocking flavours and nutrition. This multi-sensory session left attendees inspired to experiment with fermentation as a tool for regeneration and sustainability.

Dance enthusiasts were treated to Folios of Time, curated by Jayachandran Palazhy and presented at The Theatre in the Old GMC Complex. This contemporary somatic exploration addressed pressing global challenges through the lens of empathy and inclusion. Featuring choreographers R. Sai Venkata Gangadhar, Pallavi Verma, and the duo Gayatri Shetty and Ronita Mookerji, the performances celebrated the resilience of the human spirit, nurtured under the guidance of mentors Damiano Ottavio Bigi, Alessandra Paoletti, and digital artist Kunihiko Matsuo, and is supported by Fabbrica Europa and Italian Institute of Culture (Mumbai) and CROSS Project.

As the day progressed, audiences headed to Caranzalem Beach to experience Littoral States of Being, a project conceptualised by Preethi Athreya as part of The Labour and Leisure Chronicles. Bamboo poles form an enchanting forest and masked performers weave through the surreal setting, making this work a poetic reflection on the meeting of the five elements—earth, water, wind, fire, and sky. Artists Siva Murugan and Agung Gunawan mesmerised onlookers with their seamless integration of movement, time, and space.

“There has been a lot of local participation in my curation of the Serendipity Arts Festival, and I am looking forward to meeting more people, finding out what they think, and making connections that spark off my imagination, too. The sheer size of this festival makes it the ideal place for these connections to be nurtured,” said Preethi Athreya.

The day also featured The Bells by 5ANGRYMen, a high-energy performance that left audiences at The Arena at Nagalli Hills Ground in awe. This theatrical experience combined live art, performance, acrobatics and the resonant ringing of bells. The performance is supported by the Centre for Australia-India Relations and the Australian Consulate-General in Mumbai.

Day 2 of the festival celebrated the essence of collaboration and experimentation, further cementing the Serendipity Arts Festival as a space for boundary-pushing creativity. With projects supported by several international partners, the 2024 edition continues to foster artistic exchange and dialogue.