International

Nepal Bans Facebook, X, YouTube, and 23 Other Social Media Platforms Over Registration Dispute


In a controversial and far-reaching decision, the Government of Nepal has ordered the shutdown of 26 major social media platforms — including global giants Facebook, X (formerly Twitter), YouTube, and Instagram — citing their failure to comply with mandatory registration requirements. The decision, announced by the Ministry of Communications and Information Technology on September 4, follows a seven-day deadline that expired the previous night.

According to the Ministry, the ban will remain in place until the platforms are formally registered with Nepali authorities. The Nepal Telecommunication Authority has been instructed to enforce the ban immediately. Officials stated that multiple requests had been made for compliance, with the final deadline passed without any action from the social media companies.

However, this crackdown has sparked widespread backlash both domestically and internationally. Free speech advocates and digital rights organizations have condemned the move, describing it as an attempt to suppress dissent and limit public discourse. Critics argue that the government’s registration demands are excessively intrusive, requiring platforms to submit to tight oversight and control that may violate global standards of digital autonomy and privacy.

Ujjwal Acharya, Director of the Center for Media Research, criticized the decision as deeply misguided, warning that it threatens Nepal’s democratic credentials. He emphasized that social media is no longer just a political tool but an essential part of modern life, used by individuals and businesses alike for communication, commerce, and creativity.

This is not the first time Nepal has moved against social platforms. In 2023, the government temporarily banned TikTok under similar circumstances. That ban was reversed in August 2024, only after TikTok agreed to register in Nepal. Since assuming power over a year ago, the K.P. Sharma Oli government has faced repeated allegations of authoritarian tendencies and increasing hostility toward online dissent.

Earlier this year, the government attempted to introduce sweeping legislation aimed at regulating all online activity under the pretext of protecting users. That effort was met with significant resistance from civil society and media watchdogs. The current ban appears to be an extension of that same regulatory vision, now enforced with greater authority after a Supreme Court ruling two weeks ago upheld the necessity of mandatory registration for all online platforms operating in Nepal.

The sudden blackout of widely used platforms has sent shockwaves through Nepal’s digital population. Many users posted what they feared could be their last messages before the sites went dark, while others decried the government for undermining basic freedoms.

As the country navigates the fallout of this decision, concerns are growing about the long-term implications for online expression, entrepreneurship, and Nepal’s global reputation as a democratic nation. Whether the banned platforms will eventually comply or push back against the government’s demands remains to be seen — but for now, Nepal’s digital landscape has changed dramatically, and not for the better.

Music

International Producer KMKZ Accuses T-Series of Plagiarizing His Beat in Hit Song Raanjhan


A major controversy has erupted in the Indian music scene as international music producer KMKZ has come forward with serious allegations against India’s largest music label, T-Series. According to KMKZ, his original beat was used without permission, credit, or payment in the hit song Raanjhan, featured in the OTT film Do Patti starring Kriti Sanon and Kajol.

In a video posted to his Instagram, KMKZ detailed how he discovered the alleged plagiarism. He explained that he had uploaded the beat online nearly two years ago, and it was recently brought to his attention by a follower who recognized the beat in Raanjhan. After listening to the track himself, KMKZ said he was shocked to hear the similarity. The song, which has been composed by the well-known Bollywood duo Sachet-Parampara and sung by Parampara Tandon, has amassed over 290 million streams on Spotify and more than 33 crore views on YouTube, making it one of the most popular Indian tracks in recent months.

What makes the claim more significant is KMKZ’s assertion that he had absolutely no knowledge of the beat being used until it was flagged by a listener. “I produced the number one song in India and didn’t even know about it,” he said. “They pretty much just ripped the beat off of YouTube and didn’t contact me or pay me or credit me or anything.” He also shared that he made several attempts to contact T-Series and other involved parties via email, but received no response.

The song Raanjhan is part of Do Patti, a suspenseful thriller released on OTT platforms in November 2024. Directed by Shashanka Chaturvedi, the film features Kajol and Kriti Sanon as twin sisters hiding dark secrets, alongside Shaheer Sheikh and Tanvi Azmi. The emotional and haunting soundtrack played a key role in the film’s appeal, making the allegations even more serious.

Adding to the controversy, this isn’t the first time T-Series and Sachet-Parampara have faced such accusations. In 2024, musician Nilanjana Ghosh Dastidar accused the same team of plagiarizing her husband Rajarshi Mitter’s composition for the song Maiyya, also featured in Do Patti.

KMKZ is now seeking public acknowledgment and justice. In his Instagram post, he made a direct request to his followers: “If anyone knows anyone who can help me out with this in some way then please get this video to them and have them DM me asap! And please leave a comment on this video and share it so it can reach the right people.” He concluded with a clear message: “There’s so many stories of producers getting ripped off nowadays but man 300 million streams and number 1 on Billboard is crazy. I DEMAND A PLAQUE.”

The video has since gone viral, with growing support from independent musicians and creators online, sparking a larger conversation about intellectual property, music ownership, and fair recognition in the industry. As the story gains momentum, all eyes are now on T-Series and how they respond.

Social Media

Instagram Now Requires 1,000 Followers to Use Live Feature: Here’s What You Need to Know


📍 August 5, 2025Meta has quietly updated Instagram’s eligibility criteria for going Live: users now must have at least 1,000 followers to access the feature. This increase from the earlier 500-follower threshold is aimed at reducing misuse, spam, and potentially harmful live broadcasts.

🚨 Why the Change?

The Instagram Live feature has previously been misused for spreading misinformation, adult content, and harassment. By enforcing a follower threshold, Meta hopes to ensure that only accounts with a certain level of credibility and engagement can broadcast in real time.

“Safety is our priority. Raising the threshold ensures more responsible usage of our Live feature,” said a Meta spokesperson.


💡 What Does It Mean for Users?

  • ❌ Accounts with fewer than 1,000 followers will no longer see the “Go Live” button.
  • ✅ Accounts with 1,000+ followers will retain full access to Live.
  • 📆 Rollout of the new policy is expected to complete globally by mid-August 2025.

🎥 Small Creators React

While many creators support the move for the sake of platform safety, others worry that it will limit opportunities for new voices.

“This makes it harder for emerging creators to connect in real time with their followers,” said one food blogger. “Live was our way of building community.”


📈 Tips to Grow to 1,000 Followers

  • 🎯 Post consistently with clear value (education, entertainment, or inspiration)
  • 📹 Use Reels and trending audio to improve discoverability
  • 🤝 Engage with your niche and audience authentically
  • 🧩 Add CTA-driven captions and relevant hashtags

Instagram’s move aligns with broader digital safety initiatives across platforms, reinforcing that quality engagement matters more than just access.

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