Tag: Indian Arts

Events in Goa

Serendipity Arts Festival 2025 Concludes 10th Edition with a Grand, Multidisciplinary Finale

Tanisha Cardozo

Written by Tanisha Cardozo || Team Allycaral

The Serendipity Arts Festival 2025 drew to a memorable close in Panaji, marking the conclusion of its landmark 10th edition with a sweeping celebration of artistic expression across disciplines. Over ten days, the festival transformed Goa’s public spaces, heritage buildings, and cultural venues into hubs of creativity, dialogue, and community engagement, reaffirming its place as one of India’s most significant multidisciplinary arts festivals.

As the festival concluded, the Hon’ble Governor of Goa, Shri Pusapati Ashok Gajapathi Raju, accompanied by Mr. Sunil Kant Munjal, Founder Patron of Serendipity Arts, visited several festival venues across the city. Their walkthrough included Azad Maidan, the Old PWD Building, the Directorate of Accounts, the Old GMC Complex, and Art Park, where they interacted with artists, curators, and members of the festival team. The visit highlighted the festival’s expansive programming and its meaningful engagement with public and heritage spaces, underscoring its role in enriching Goa’s cultural landscape.

The closing day featured a series of standout performances across music and theatre. The Arena at Nagalli Hills hosted a vibrant finale curated by Sneha Khanwalkar, bringing together artists including Mulla Altaf Raja Ebrahim, Jasbir Jassi, Sunetra Banerjee, Maithili Shome, Zoheb Husain Khan, and Gaurav Pawankumar Khullar. The concert blended beloved tracks with bold sonic experimentation, delivering a colourful, playful, and energetic conclusion that left audiences exhilarated.

Theatre programming concluded at the Old GMC Complex with Bob Marley from Kodihalli, curated by Sankar Venkateswaran. The Kannada production drew inspiration from the legacy of reggae icon Bob Marley to examine questions of identity, freedom, and caste through a compelling mix of Brechtian theatre and musical interludes, inviting audiences to reflect on marginalised voices and social realities.

Music continued to resonate across venues with the Nagaland Madrigal Singers performing at Dinanath Mangeshkar Kala Mandir. The 19-member choir presented a repertoire spanning classical sacred works, Naga and Asian folk music, international folk songs, and contemporary compositions, showcasing their artistic versatility and cultural heritage. The same venue hosted Spirit and Harmony: A Christmas Special, curated by Ranjit Barot, which ushered in the festive season with a grand big-band production celebrating iconic holiday music in a visually rich setting.

The River Raag series concluded with Manganiyar Parampara at Santa Monica Jetty, where Manganiyar musicians from Rajasthan performed against the backdrop of the Mandovi River. The sunset cruise performance wove together folk traditions, nature, and spirituality, offering a poetic and reflective conclusion as music flowed alongside the river.

Throughout the final day, visitors continued to engage with exhibitions and installations that remained open across venues. These included Multiplay 02: Soft Systems, The Culinary Odyssey of Goa, What Does Loss Taste Like?, Home is Where the Heart is, Infinite Drape, Stepwells: Poetry in Craft, and Hands, Tools, and the Living Thread, among many others. A photography exhibition exploring the evolving idea of home brought together five photographers whose works reflected personal and intergenerational perspectives on belonging.

The festival’s commitment to inclusivity remained central until the very end. The Children’s Programme at Art Park concluded with storytelling sessions, workshops, and interactive experiences, while accessibility initiatives at The Access Village continued through exhibitions, sensory spaces, and workshops designed to ensure an inclusive festival experience for all.

As Serendipity Arts Festival 2025 came to a close, it left behind ten days of artistic exploration that celebrated diversity, innovation, and dialogue. Spanning theatre, music, visual arts, craft, photography, culinary arts, and accessibility programming, the festival once again demonstrated the transformative power of the arts to bring people together and reimagine shared cultural spaces.

Events in Goa

Serendipity Arts Festival 2025 Day 2 Unfolds with Jazz Grooves, Motown Memories and Immersive Visual Worlds

Tanisha Cardozo

Written by Tanisha Cardozo || Team Allycaral

The second day of Serendipity Arts Festival 2025 unfolded as a vibrant celebration of sound, memory and visual storytelling, reaffirming the festival’s commitment to diverse artistic expressions spread across multiple venues in Panjim. Audiences moved seamlessly between music, film, exhibitions and culinary experiences, encountering art that invited both participation and reflection.

At The Arena at Nagalli Hills, the evening’s musical journey began with The Revisit Project, curated by Zubin Balaporia and Ehsaan Noorani. Known for demystifying the complexities of jazz, the band delivered a powerful blend of groove-driven rhythms, old-school funk and contemporary jazz, weaving pointed observations about life, love and politics in India into their performance. The set offered a refreshing balance of technical precision and emotional accessibility, drawing in both seasoned listeners and new audiences.

The night reached a celebratory high with Motown Madness, also curated by Zubin Balaporia. The high-energy concert paid tribute to the iconic Motown sound that shaped generations, transporting audiences through timeless hits associated with legends like Michael Jackson, The Supremes and Stevie Wonder. The performance blended nostalgia with exuberance, turning the venue into a space of collective joy and shared musical memory.

Reflecting on the evening, Balaporia noted that the curation was about embracing the vast emotional range of music — from the sharp, contemporary language of jazz to the enduring warmth of Motown. Despite their differences, he observed, both performances met on common ground through rhythm, storytelling and shared energy.

Meanwhile, the Captain of Ports Jetty in Old Goa continued to host unique experiences aboard the Barge installation. The Silent Film Screening by Aldona Video Club transformed the floating venue into an intimate cinema, where audiences engaged with cinema that both honoured and questioned traditional narrative forms. The collective’s approach examined representation and media boundaries, offering a contemplative counterpoint to the city’s musical pulse.

From December 14 onwards, exhibitions across festival venues opened to the public, further expanding the festival’s immersive landscape. At the Directorate of Accounts, Multiplay 02: Soft Systems, curated by Jiten Thukral and Sumir Tagra, invited visitors into a participatory environment designed as a sandbox for collective experience. Featuring works by artists including Chunky Move, Jayasimha Chandrashekar, Alke Reeh, Bwanga Kapumpa and Teja Gavankar, the exhibition encouraged acts of care, rest and attention — from modelling clay portraits in the dark to listening to the sounds of trees and birds. The curators described the project as a tender constellation of practices that hold space, invite participation and foster connection through touch, rhythm and generosity.

At Art Park, The Culinary Odyssey of Goa, curated by Odette Mascarenhas, explored Goan cuisine as a living archive of memory and migration. The project showcased five traditional kitchens representing Hindu artisans, Muslim descendants of the Bijapur dynasty, Gaud Saraswat Brahmins, Indo-Luso influences and Christian descendants. Through tastings centred on ingredients such as turmeric, kokum, black peppercorn, tamarind and star anise, visitors engaged with stories of spice, history and everyday ritual narrated by the curator herself.

The Promenade hosted Urban Reimagined, curated by Ravi Agarwal, which examined the city through the lens of waste, extraction and inequality. Featuring photographs by the late Vivan Sundaram, the exhibition positioned waste as a marker of caste and class, prompting audiences to confront what urban spaces reveal — and conceal — about aspiration, excess and social structure.

At The Access Village in the Old GMC Complex, Therefore I Am brought together seven artists whose lived experiences of disability shape their creative practices. Working across painting, sculpture, photography, video, performance and digital media, the artists challenged conventional perceptions of the body, presenting disability as a powerful site of creativity, resistance and truth. Curator Salil Chaturvedi highlighted the exhibition as an essential reminder that disability is not marginal, but an integral part of the collective human story.

Together, the experiences of Day 2 wove a rich tapestry of jazz, nostalgia, visual inquiry and participatory art, underscoring Serendipity Arts Festival 2025’s role as a platform where artistic expression meets social reflection and shared experience.