Films

SC Refuses Ban on Yadav Ji Ki Love Story, Says Title Not Defamatory


In a significant development highlighting the intersection of cinema and constitutional rights, the Supreme Court of India has refused to impose a ban on the film Yadav Ji Ki Love Story, dismissing a petition that challenged its title. The plea, filed by the chief of the Vishwa Yadav Parishad, argued that the film’s name portrayed the Yadav community in a negative light and sought either a ban or a change in the title.

Hearing the matter, a bench comprising Justices BV Nagarathna and Ujjal Bhuyan examined the arguments and the material presented before them. The court ultimately found the concerns to be unfounded, stating that the title of the film did not contain any language or implication that could be seen as derogatory towards the Yadav community.

Justice Nagarathna observed that the court could not understand how the title alone could reflect negatively on an entire community, especially when it lacked any explicit or implied negative descriptors. The bench emphasised that none of the reasonable restrictions outlined under Article 19(2) of the Constitution—which governs limitations on freedom of speech and expression—were applicable in this case.

The court also drew a distinction between this matter and a previous controversy surrounding the film Ghooskhor Pandat. In that instance, the word “ghooskhor,” meaning corrupt, was deemed to carry a clearly negative connotation that could reflect poorly on a community, prompting judicial intervention. However, in the present case, the bench noted that no such negative association existed in the title Yadav Ji Ki Love Story.

During the proceedings, the petitioner’s counsel clarified that their objection was not to inter-community relationships depicted in the film, but rather to how certain aspects, including the portrayal of a woman, were handled. Despite these arguments, the court maintained that the film is a work of fiction and does not warrant judicial interference based on speculative concerns.

With the petition dismissed, the path is now clear for the film’s release, scheduled for February 27. The ruling reinforces the judiciary’s stance on protecting creative expression while carefully weighing claims of community harm, once again underlining the importance of context and intent in such disputes.

International

Indonesia’s ‘One Piece’ Flag Protest Turns Manga Symbol into a Voice of Dissent


On a hot August afternoon, muralist Kemas Muhammad Firdaus stood in an empty lot in West Java’s Bekasi district, spray-painting a skull in a straw hat. The image — instantly recognizable to manga and anime fans — is the pirate flag of One Piece character Monkey D. Luffy.

But this wasn’t fandom. It was protest.

Across Indonesia, in the lead-up to Independence Day on August 17, students and activists have taken to flying the One Piece pirate flag to voice dissent against the government. Citing frustration over corruption, unemployment, and increased military involvement in civilian affairs, protesters have turned the pop culture symbol into a striking emblem of youth unrest.

“Many Indonesians are hoisting the One Piece flag because they want the government to listen to them,” said Kemas, 28, as he painted the mural — which even mimicked design elements from the logo for Indonesia’s 80th anniversary.

An Unlikely Symbol of Protest

Luffy’s flag — typically a sign of fictional treasure-hunting pirates — has been repurposed into a real-world political symbol, dominating Indonesian social media and student protest spaces. In Central Java, flag seller Dendi Christanto reported overwhelming demand for custom “One Piece” flags, and has since stopped accepting orders.

The protests are part of a broader wave of youth-led dissent, reigniting memories of Indonesia’s long tradition of student activism. Many are calling this new wave “Dark Indonesia,” a nod to protests earlier this year sparked by budget cuts and policy shifts favoring military influence.

Crackdowns and Criticism

Not everyone is amused by the symbolism. A member of parliament likened the One Piece imagery to treason. In East Java, authorities reportedly confiscated flags — a move Amnesty International criticized as excessive and authoritarian.

President Prabowo Subianto’s office responded by affirming support for free speech, but warned that pairing the pirate flag with the national flag could be seen as disrespectful.

“They didn’t have to do all that, accusing them of dividing Indonesia — that’s wrong,” Kemas said. “It’s just art.”

Freedom, Identity, and the Power of Pop Culture

In a country that remembers the 1998 student protests that toppled an authoritarian regime, the current generation is finding new, creative outlets to express dissent. And in today’s media-saturated world, that includes anime.

The use of the One Piece flag shows how global pop culture can evolve into local protest language — one that’s vivid, visual, and resonant with a younger, digitally-connected generation.

As Independence Day approaches, Luffy’s flag may no longer just stand for pirates — it now waves for change.