Tag: Film Festival

Films

Goan Film The Awakening Selected for Mitee Environment Short Film & Documentary Festival 2026

Tanisha Cardozo

Written by Intern Rency Gomes, Team Allycaral

Goan short film The Awakening, directed by young filmmaker Rameez Shaikh, has been officially selected for screening at the 5th Mitee Environment Short Film and Documentary Festival. The film will be screened on January 11, 2026, at the Lady Ramabai Auditorium, S.P. College, Pune. Scheduled from January 9 to 11, the festival will present over 40 environment-focused short films and documentaries from across the world, with The Awakening standing out as the sole Goan film featured this year.

Organised by the Mitee Film Society, the festival has grown into an important platform for young and emerging filmmakers, particularly those addressing social and environmental issues. Now in its fifth edition, the festival continues its mission of nurturing youth voices and showcasing cinema that informs, inspires, and provokes meaningful dialogue among audiences.

The Awakening stars Rameez Shaikh, Siya Chodankar, and Cyrus Fernandes in lead roles. The screenplay and cinematography were handled by Numair Khan, who also co-wrote the story along with Rameez Shaikh and Sharvi Dhond. Editing was done by Varun Kashyap, with technical support from Boskon Studio. The film’s background score was composed by Cyrus Fernandes, while production was managed by Sharvi Dhond and Ebenezer Rajamanickam.

Director Rameez Shaikh, a 21-year-old Gen Z filmmaker from Goa, is a Mass Communication graduate from Don Bosco College, Panjim. In addition to filmmaking, he is a digital creator who has won several local and national-level reel competitions alongside his brothers Ismail Shaikh and Aarif Shaikh.

The film centres on a conversation between two friends contemplating a dying planet, gradually realising that meaningful change begins with shifting mindsets and embracing environmental responsibility. Set against the backdrop of a decaying city, the narrative highlights how apathy has become one of the greatest contributors to environmental degradation, while stressing the power of collective action by ordinary people.

Through its reflective storytelling, The Awakening urges viewers to confront indifference and recognise their individual and collective responsibility towards the planet. The film envisions a future shaped by conscious choices, empathy for the environment, and a shared commitment to safeguarding the world for generations to come.

Events in Goa, IFFI 2025

IFFI Closes International Section on a High with Thailand’s Surreal Gem A Useful Ghost

Tanisha Cardozo

Written by Tanisha Cardozo || Team Allycaral

Thailand’s A Useful Ghost brought a vibrant and surreal close to the International section at the International Film Festival of India, leaving audiences both amused and contemplative. Directed by Ratchapoom, the film explores a whimsical narrative in which a ghost returns not as a human, but as a vacuum cleaner—a playful yet deeply symbolic choice reflecting the real-world dangers of dust pollution that claim the life of the protagonist. The unusual approach was born from Ratchapoom’s desire to break free from conventional depictions of ghosts, blending subtle supernatural elements with unexpected sci-fi touches to create something quietly intimate and visually inventive.

Cinematographer Song Pasit described the film’s visual style as a deliberate interplay between humor and gravity, embracing a philosophy of “don’t be afraid not to be cinematic,” which allowed the team to experiment freely with color, framing, and surreal visual motifs. Behind the scenes, associate producer Tanade Amornpiyalerk highlighted the limited but emerging opportunities in Thai cinema, an industry dominated by Hollywood releases with around 30 local films released annually. Despite these constraints, Ratchapoom emphasized his belief that films should go beyond pure entertainment to express meaningful ideas, a principle evident in A Useful Ghost.

Actor Wisarut Homhuan shared that the role was both challenging and transformative, marking a milestone in his career. Having worked across TV and digital platforms, Homhuan explained that opportunities for film actors in Thailand remain scarce, making his performance in this film a breakthrough moment for recognition within the cinematic landscape. The global journey of the film, from an offbeat concept to festival acclaim, left Ratchapoom astonished and elated. “Who would have thought such a film with such a crazy idea could travel so far and reach so many people?” he remarked, reflecting on the unexpected resonance of his quirky, thoughtful creation.

A Useful Ghost demonstrates the power of imaginative storytelling, blending social commentary with whimsy, and showcasing the evolving face of Thai cinema on the international stage. Its success at IFFI reinforces the notion that even the most unconventional ideas, when executed with heart and vision, can captivate audiences worldwide.

Events in Goa

“This Tempting Madness” Team Unpacks Memory, Misogyny & Survival at IFFI 2025

Tanisha Cardozo

Written by Tanisha Cardozo || Team Allycaral

The press conference for This Tempting Madness at IFFI carried the same intensity and emotional weight as the film itself. Director Jennifer Montgomery, producer Andrew Davis, and actors Suraj Sharma and Zenobia Shroff came together to explore the responsibility of telling a story born from real pain. Jennifer began with a candid admission that the film is inspired by a true and deeply unfortunate event, a narrative so heavy that even speaking about it remains difficult.

She explained that cinema can often capture emotions and complexities that words alone cannot, offering audiences a space to understand experiences that are usually hidden from view. Andrew expanded on this, acknowledging the delicate balance required when adapting real-life trauma. The goal, he noted, is not simply to retell an incident but to search for meaning, context, and the lingering questions that haunt those affected.

Suraj Sharma spoke with quiet sincerity about how personal the project felt to him. Calling emotional and mental abuse “alarmingly common,” he shared that he had witnessed someone close to him endure abuse and had intervened to help her leave the situation. For him, the film stands as a tribute to those who have lived through such experiences.

Zenobia Shroff added depth with her reflection on portraying an Indian mother navigating cultural pressures and unspoken expectations. She described the familiar but often unexamined dynamic where silence is encouraged, a silence rooted in internalised misogyny. Her hope, she said, was to expose these patterns and shift the narrative toward empowering women and raising better men.

While the film features Indian characters, Jennifer emphasised that the story itself is universal, noting that Simone Ashley was cast simply because she was the best fit for the role. The rest of the cast helped her navigate cultural nuances she was less familiar with. Technically, the film uses intercut memories to mirror the protagonist Mia’s amnesia and confusion.

Jennifer explained that memory loss is inherently unreliable, so the visual language intentionally shifts between the present and fragmented recollections to reflect her disorientation. When asked about literary influences such as Virginia Woolf, Jennifer admitted she had not drawn from them but expressed curiosity to explore that connection now.

Ultimately, she summarised her artistic goal as finding the humanity in every character, acknowledging that everyone faces moments where they feel tempted by their own inner chaos. Andrew closed the conversation on a hopeful note, emphasising that though the story is rooted in real suffering, it is also a testament to strength—people can grow, change, and emerge more resilient.

With themes of trauma, love, confusion, and survival, This Tempting Madness left the IFFI audience with more than reflections on filmmaking; it offered a deeper invitation to consider the unseen battles people carry and the empathy required to understand them.

Events in Goa

Dr. Pramod Sawant Inaugurated the Goa Section at the 56th International Film Festival of India

Tanisha Cardozo

Written by Tanisha Cardozo || Team Allycaral

Dr. Pramod Sawant inaugurated the Goa Section at the 56th International Film Festival of India, marking a significant moment for Goan cinema and its growing presence on national and international platforms. The ceremony was followed by the screening of the Konkani film Halad, directed by Sobita Kudtadkar, which opened the Goa Section this year.

Dr. Sawant expressed pride in the resilience and passion of Goan filmmakers, acknowledging their dedication to preserving the region’s storytelling heritage despite numerous challenges. He highlighted that Goan cinema has always been driven by creativity, cultural pride and a commitment to authentic narratives.

This year’s edition of IFFI features two Goan films—Claudia and The Pilot—in the prestigious Gala Premiere Section, a testament to the growing strength of the local film industry. Additionally, five films were selected for the Goa Section: Zero Bulb, Halad, My Dad Invented the Vadapav, Meraki, By the Sea and Ghar.

Dr. Sawant extended his best wishes to all the filmmakers whose works are being showcased, emphasizing that their achievements continue to inspire future generations of Goan storytellers. The inauguration reflected both celebration and hope, positioning Goan cinema to shine even more brightly on the global stage.

Events in Goa

WAVES Film Bazaar Launches in Goa, Celebrates Global Filmmaking Collaboration

Tanisha Cardozo

Written by Tanisha Cardozo || Team Allycaral

The WAVES Film Bazaar, South Asia’s premier global film market, officially opened today at the Marriott Resort in Panjim, Goa, with a vibrant inaugural ceremony attended by distinguished leaders, policymakers, filmmakers, and international delegates. Held annually alongside the International Film Festival of India, the 19th edition of the Bazaar, now rebranded as WAVES Film Bazaar, serves as a global hub for filmmakers, producers, sales agents, festival programmers, and distributors seeking creative and financial partnerships. Scheduled from November 20th to 24th, the market features 300 film projects and welcomes delegations from over seven countries.

Shri Sanjay Jaju, Secretary, Ministry of Information and Broadcasting, inaugurated the event, describing the Bazaar as a “complete ecosystem of screenings, masterclasses, and technology showcases.” Highlighting the market’s alignment with the Prime Minister’s vision of “converting art into commerce,” he emphasized the world’s first e-marketplace for filmmakers, which facilitates collaboration between creators and countries. Shri Jaju also noted the curated projects, cash grants, and structured feedback mechanisms, alongside India’s first-ever AI Film Festival and Hackathon as key milestones in embracing the future of cinematic technology.

Guest of Honour Ms. Jaewon Kim, Member of the National Assembly of the Republic of Korea, lauded the organisers’ dedication since the festival’s inception and expressed hope for strong India-Korea collaborations. She added a memorable moment by performing a soulful rendition of Vande Mataram, earning a standing ovation from the audience. Dr. L. Murugan, Minister of State for Information and Broadcasting, praised the Bazaar for empowering young storytellers and new voices, highlighting the participation of 124 new creators this year. He described the event as a bridge connecting creators and producers while projecting Indian culture and content on the global stage. Additional Secretary Shri Prabhat delivered the vote of thanks, rounding off a ceremony that celebrated creativity and industry leadership.

The inaugural event was further enriched by the presence of IFFI Festival Director and acclaimed filmmaker Shekhar Kapur, actors Shri Nandamuri Balakrishna and Shri Anupam Kher, Jerome Paillard, Advisor to Waves Bazaar, Australian film director Garth Davis, and Shri Prakash Magdum, Managing Director of NFDC. Together, they underscored the Bazaar’s role as a dynamic confluence of artistic vision, innovation, and global collaboration, setting the tone for an inspiring and transformative week of cinematic exchange.