Events in Goa

MOG Sunday: Goa Writers Redefine Desire Beyond Beaches


Panaji: Moving beyond the familiar imagery that often defines Goa in the public imagination, a recent MOG Sunday session at the Museum of Goa brought together writers to explore how desire shapes contemporary life in the state. The discussion centred on Appetite: New Writing from Goa, an anthology of essays, short stories and poems that attempts to present a more layered and intimate portrait of Goa.

Edited by Shivranjana Rathore and Tino de Sa and published by Penguin Random House India, the anthology brings together voices connected to Goa, each interpreting the idea of “appetite” in deeply personal and varied ways. While the theme might initially evoke food, the conversation quickly expanded into broader territories of longing — for love, land, belonging, power and identity.

Opening the discussion, the editors reflected on how appetite is not merely about hunger, but about the deeper emotional and social currents that shape people’s lives. Rathore explained that the theme emerged organically within the group, yet strongly reflects the current moment in Goa. She spoke about a widespread “hunger for Goa” that exists both within and outside the state, influencing how it is experienced, imagined and sometimes contested.

Importantly, the editors clarified that the anthology does not attempt to define Goan identity in a fixed way. Instead, by focusing on intimate narratives and lived experiences, it resists the tendency to package Goa into a singular, consumable image. This approach shifts attention away from the familiar tropes of beaches, food and tourism, offering readers a more nuanced and human perspective.

Rathore also highlighted how the collection captures different layers of time, with contributors moving between past, present and imagined futures. This sense of temporality allows the anthology to reflect Goa’s ongoing transformations — from migration and changing livelihoods to evolving aspirations — without prescribing a singular narrative.

The discussion also touched on the broader role of literature in today’s fast-paced and often overwhelming media landscape. Describing the present as a “hyper-propaganda era,” Rathore suggested that writing offers a way to slow down and engage more thoughtfully with reality. By documenting lived experiences, literature creates space for reflection rather than reaction.

Co-editor Tino de Sa added another dimension to the conversation by describing appetite as cyclical and ever-evolving. Using metaphors from his own work, he suggested that desires enter and exit people’s lives, only to return in new forms, shaped by time and circumstance.

For readers in Goa, the anthology hopes to offer a sense of recognition, reflecting everyday realities such as community expectations, work in the tourism economy and shifting ideas of belonging. For those outside the state, it challenges simplified perceptions and invites a deeper engagement with Goa as a lived, complex space.

As the conversation at the Museum of Goa demonstrated, there is far more to the state than its postcard image. Through stories rooted in personal experience and collective memory, Appetite: New Writing from Goa opens up a richer, more layered understanding of a place that continues to evolve beyond its stereotypes.

Entertainment

Back to the Best of Both Worlds: Hannah Montana Turns 20 and Brings the Nostalgia Back


There are comebacks—and then there are comebacks that feel personal. The return of Hannah Montana after two decades falls firmly into the second category.

If you grew up in the 2000s, you probably remember this without even trying. Rushing home from school. Dropping your bag. Turning on the TV before anyone else could grab the remote. Because missing an episode simply wasn’t an option. Not when Miley Stewart was living the dream we all secretly imagined.

Now, 20 years later, Miley Cyrus is bringing that world back with a special anniversary edition set to premiere on Disney+. And suddenly, an entire generation is pausing to feel something they didn’t expect—nostalgia in its purest form.

What made the show special wasn’t just the wigs, the concerts, or the double life. It was how real it felt. Miley Stewart was just like us—awkward, emotional, figuring things out, dealing with family, friendships, and growing pains. And then, almost magically, she stepped into the spotlight as Hannah Montana, living a life most could only dream of.

That duality—ordinary and extraordinary—was the hook. It told us something powerful without being loud about it: you can be both. You can dream big and still be yourself.

And let’s be honest, it wasn’t just a show. It was a phase. From themed school supplies to posters, from singing along to the title track to arguing over who got control of the TV—Hannah Montana became part of everyday life. It shaped conversations, friendships, and even aspirations.

As the show ended and Miley Cyrus evolved into a global pop icon, that chapter quietly closed for many fans. Life moved on. We grew up. But somewhere, that version of ourselves—the one who believed in secret identities and big dreams—stayed behind.

Until now.

With the 20th anniversary special dropping on March 24, Disney’s teaser already hints at a return to where it all began—familiar sets, iconic visuals, and a wave of memories waiting to hit. And maybe that’s why this comeback feels different. It’s not just about revisiting a show. It’s about reconnecting with a time when life felt simpler, lighter, and full of possibility.

So here’s a question—if you hear “you get the best of both worlds” today… do you still sing along without thinking? Chances are, you do. And that says everything about the legacy this show has left behind.

EduConnect

“Goa Is the Best Place for a Young Girl to Grow Up”: Vogue India’s Rochelle Pinto at CTGD Centenary Lecture


“Goa is the best place for a young girl to grow up. Here, women are so empowered; I have a sense of confidence because I grew up in Goa,” said Rochelle Pinto, Head of Editorial Content at Vogue India, while addressing the centenary lecture of Clube Tennis de Gaspar Dias titled ‘Women in Leadership: How to Build a Career in Media’ in Panaji.

In conversation with Goan fashion designer Simran Dhond, Pinto reflected on how Goa’s multicultural environment and inclusive ethos shaped both her worldview and professional journey. She emphasised that in Goa, women are not treated as second-class citizens and that the State’s diversity creates a natural sense of equality. “It never occurred to me that I had to ask permission to take up space. Also in Goa, we have multiculturalism. There is a sense of equality and diversity, and we celebrate it. It is a world that almost looks like a fairy tale now. I think we need to all fight to protect that,” she said.

Pinto began her journey in media at the age of 11 as a child radio jockey at All India Radio, Goa. Despite now being a leading voice in fashion media, she shared that she did not grow up in a fashion-conscious environment, something she considers a blessing. Growing up as what she described as an “outsider” in a multicultural society gave her a deep sense of rootedness and curiosity. “There is a deep sense of rootedness because of being an outsider. As I grew up in a multi-cultural environment, there is a sense of curiosity, and I do not have a myopic view,” she said.

Now based in Mumbai with over 15 years of experience across print and digital platforms, Pinto has worked with leading brands such as Tweak India and the Condé Nast group. Throughout the interaction, she repeatedly underlined how being Goan has shaped her approach to storytelling and leadership. She explained that her Goan upbringing allows her to see individuals for who they are and engage with them at a human level, a quality that has helped her navigate the competitive media landscape.

Offering advice to young aspirants, Pinto stressed that talent alone is not enough to survive in the media industry. She spoke about the importance of ethics, resilience, and the ability to accept criticism. “Do whatever it takes to get the job done. You need to learn to do everything, as it gives you a sense of confidence and you know exactly what you are talking about. I am a doer and not a dweller,” she said, encouraging youngsters to build both skill and stamina.

She also addressed the common perception that women compete aggressively for limited opportunities. Dispelling the myth, she stated that women often support and uplift each other, both professionally and personally. During an interaction with the audience, Pinto described journalism as a field that still demands old-school rigour. “Journalists are like vultures; others see a carcass, but we see a full meal there. If you have that mentality, you can find a story anywhere,” she remarked, reinforcing the importance of fieldwork and curiosity in an evolving digital age.

Having also taught at Istituto Marangoni in Italy and St Paul’s Institute of Communication and Education in Mumbai, Pinto shared her perspective on the growing influence of artificial intelligence in media. She observed that fear of new technology is not new, recalling that similar anxieties existed even during the invention of the printing press. “Writers have to evolve their skillset. Maybe they may not be writing anymore as the medium will change. I am not worried but more fired up to hone my craft and new opportunities to express myself,” she said.

Her reflections served not only as a celebration of Goa’s empowering environment but also as a call to protect its inclusive and multicultural fabric. For many in attendance, Pinto’s journey stood as proof that confidence rooted in identity, combined with discipline and adaptability, can shape a successful career on both national and international stages.

Events in Goa

Goa Book Festival 2026 Draws 1.25 Lakh Visitors, Sets a New Chapter for Literary Culture


Written by Tanisha Cardozo || Team Allycaral

The first edition of the Goa Book Festival 2026 concluded on Sunday, 8 February, at the DB Bandodkar Grounds, Panaji, marking a significant milestone in Goa’s cultural and literary landscape. Held from 4 to 8 February under the theme “An Ocean of Books”, the festival attracted an impressive footfall of over 1.25 lakh visitors over five days, reflecting a growing enthusiasm for books, reading, and meaningful dialogue across age groups.

Readers, writers, publishers, educators, students, and families came together for a packed programme that blended literature with cinema, history, spirituality, language, music, and art. One of the highlights of the final day was the session “The Many Lives of Sachin Pilgaonkar”, where the veteran actor-director reflected on language, cinema, and the role reading played in shaping his creative journey. Sharing anecdotes from his early years, he spoke about learning spoken Urdu under the guidance of Meena Kumari, refining Marathi with support from his wife and Ashok Saraf, and memorable moments from films like Sholay and Brahmachari. He concluded the session with a soulful rendition of “Kaun Disha Mein Leke Chala”, leaving the audience visibly moved.

Spiritual leader and author Acharya Prashant, in his session “Understanding the Self in Everyday Life”, addressed the deep dissatisfaction many experience in modern life. He spoke candidly about how people often chase validation and material markers rather than true inner satisfaction, encouraging introspection and honesty as pathways to lasting fulfilment.

The Author’s Corner remained a vibrant space for ideas and dialogue throughout the day. Events included the prize distribution ceremony for the photography competition themed “Goa: Festival & Culture”, a book release by noted Konkani writer Vithal Gavde (Parvadkar), and a panel discussion on the development of the Konkani language featuring eminent speakers from literary and academic circles. Conversations on education, ancient wisdom, and multilingual poetry further enriched the programme.

The Children’s Corner emerged as a major attraction, with nearly 500 students participating in interactive storytelling, folk dance and music performances, creative design sessions, and introductions to digital reading platforms like the Rashtriya e-Pustakalaya. Sessions celebrating Goa’s revived Kaavi Art drew enthusiastic participation from both children and parents, blending learning with hands-on creativity.

Evenings at the festival resonated with music and performance, culminating on the final day with an enthralling set by Kerala-based indie band Shanka Tribe, whose fusion of tribal rhythms and contemporary sounds created an immersive experience for audiences.

Across five days, the festival hosted conversations with prominent journalists, historians, filmmakers, legal experts, philosophers, authors, actors, and even an astronaut, ensuring wide-ranging engagement across disciplines. The book fair, featuring over 250 stalls from more than 100 publishers, remained abuzz throughout, with visitors exploring books in English, Konkani, Marathi, and several other Indian languages.

With strong participation, vibrant discussions, and a warm response from readers of all ages, the Goa Book Festival 2026 has laid the foundation for a lasting literary tradition in the state—one where books, ideas, and communities continue to meet and grow together.

Awards

Eminent Writers Mamta Kalia and Arambam Ongbi Memchoubi to Receive Amar Ujala Shabd Samman ‘Akashdeep’ Award 2025


Written by Intern Rency Gomes || Team Allycaral 

New Delhi, January 15, 2026:
For their exceptional contribution to India’s literary landscape, Amar Ujala’s highest literary honour under the Shabd Samman 2025 — the ‘Akashdeep’ Award — will be conferred on eminent Hindi short-story writer Mamta Kalia in the Hindi category, and on renowned Manipuri author Arambam Ongbi Memchoubi in the non-Hindi Indian languages category.


The year holds special significance as 2025 marks the Golden Jubilee of the United Nations’ International Women’s Year, while 2026 has been dedicated by the UN to women’s contributions to agriculture. In this context, honouring two distinguished women writers lends a special distinction to this year’s Akashdeep Award.

Each recipient of the Akashdeep Award will receive a cash prize of ₹5,00,000, along with a citation and a Ganga sculpture as a symbolic honour.

About the Awardees

Arambam Ongbi Memchoubi, born as Dr. Thounaojam Chanu Ibemhal on January 1, 1957, has made an exceptional contribution to Manipuri literature through her prolific writing focused on postcolonial thought, women’s identity, and Meitei myths. She is regarded as one of the most powerful voices in contemporary Manipuri literature.

Mamta Kalia, born on November 2, 1940, is a pioneering figure in modern Hindi literature. Emerging during the early waves of feminism, she has authored more than a dozen notable works and is widely recognised for her nuanced portrayal of middle-class complexities and women’s struggles for identity.

Under the Akashdeep honour, several Indian languages — including Kannada, Marathi, Bengali, Odia, Malayalam and Gujarati — have been recognised in previous years. Manipuri has been selected for the first time this year. Past recipients include Girish Karnad, Bhalchandra Nemade, Shankha Ghosh, Pratibha Ray, M.T. Vasudevan Nair and Sitanshu Yashaschandra among non-Hindi languages, and Namvar Singh, Gyanranjan, Vishwanath Tripathi, Shekhar Joshi, Vinod Kumar Shukla and Govind Mishra in Hindi.

Best Work Awards – Shabd Samman 2025

Alongside the Akashdeep Award, Amar Ujala has also announced the Best Hindi Literary Works of 2024, honouring excellence across categories:

‘Chhap’ (Poetry): Vaasna Ek Nadi Ka Naam Hai by Savita Singh

Non-Fiction: Mutah by Naish Hasan

Fiction: Curfew Ki Raat by Shahadat

Bhasha-Bandhu Translation Award: Sujata Shiven for the Hindi translation of Charu Chivar aur Charya (original Odia work by Pradeep Dash)

‘Thaap’ Award (First Book): Sudhaargrih Ki Malikainen by Manish Yadav

Each Best Work Award includes a cash prize of ₹1,00,000, a citation, and a Ganga sculpture.

Jury & Vision

The awards were adjudicated by a distinguished jury comprising poet Varsha Das, writer Vibhuti Narayan Rai, storyteller Dhirendra Asthana, writer-translator Damodar Khadse, and short-story writer Balram.

Yashwant Vyas, Group Advisor at Amar Ujala and Convener of the Shabd Samman, stated that the initiative was launched in 2018 to realise the collective dream of strengthening and celebrating Indian languages and literary collaboration.

The Amar Ujala Shabd Samman 2025 will be presented at a formal ceremony to be held soon.