Fit & Fabulous

BTS’ V Goes Viral at Paris Fashion Week for Sweet Moment with Uma Thurman


Kim Taehyung, better known as V of global sensation BTS, made waves with his appearance at the 2025 Celine show during Paris Fashion Week—but it wasn’t just his fashion-forward outfit that caught attention. A heartwarming and now-viral gesture towards actress Uma Thurman has made headlines around the world, reinforcing V’s reputation as not just a K-pop icon, but a global gentleman.

Arriving in a sleek tailored brown coat over a white shirt and subtle leopard print tie from Celine’s latest collection, V once again proved his status as a front-row favorite. His natural hairstyle and understated makeup added a layer of effortless charm to the overall look. As a global brand ambassador for Celine since March 2023, Taehyung’s appearance marked another milestone in his flourishing relationship with the French luxury house.

However, it was a candid moment shared with American actress Uma Thurman that truly stole the show. As the two mingled before the runway presentation, a gust of wind tousled Thurman’s hair, prompting V to step in gently and assist her in fixing it. The short interaction, captured by media cameras, quickly spread across social media platforms. Fans and commentators were quick to praise the BTS star for his gentlemanly behavior, with many calling it the most wholesome moment of Paris Fashion Week.

Social media erupted with admiration. From tweets praising him as a “chivalrous and gallant man” to Instagram comments highlighting his warmth and charm, fans couldn’t stop talking about the endearing exchange. References to his iconic “Yes, I’m a bad boy” meme made their way into the conversation, humorously contrasting his public persona with his soft-spoken actions.

Since becoming Celine’s official global ambassador in 2023, V has consistently drawn attention with every appearance—from Seoul to Cannes and now Paris. His ability to blend fashion, personality, and global influence continues to redefine how K-pop idols move through the world of haute couture. His presence at Paris Fashion Week this year was yet another reminder of why V is one of the most beloved figures in both music and fashion.

International

Michael Rider Revives Celine with Playful Edge in Paris Debut


Written by Tanisha Cardozo

Paris, July 2025 – All eyes were on Celine this Sunday as the French luxury fashion house unveiled the debut collection of newly appointed creative director Michael Rider, who took the reins following Hedi Slimane’s departure last October. Hosted at Celine’s intimate atelier near the Tuileries Garden, the runway show redefined expectations—and set a bold new tone for the storied brand.

The show was attended by A-listers including Naomi Watts and Kim Taehyung (V of BTS), whose appearance marked one of his first public outings since completing military service. But the real star of the evening was Rider’s daring take on the Celine legacy.

Having worked under Phoebe Philo during her reign at Celine, Rider was expected by many to usher in a return to her minimalist, intellectual style. Instead, he flipped expectations on their head with tight skinny jeans, super-slim trousers, and sharp silhouettes—signatures more aligned with Hedi Slimane, the man who doubled Celine’s revenue to €2.5 billion before stepping down.

But this wasn’t just Slimane redux. Rider layered in his own eclectic touches: bright V-neck sweaters, Oxford shirts, and striped school ties, all styled with a confident, almost collegiate ease. Eveningwear was sharp and restrained—black, tailored, and clean.

If one thing made a definitive statement, it was the accessories. From chunky bangles and oversized chain necklaces to stacked rings and quirky keyrings shaped like dice and Eiffel Towers, Rider proved he’s not afraid of fun.

“I would never want to be perceived as cynical,” Rider told reporters after the show. “Having a sense of humour in the luxury space is a beautiful thing.”

Celine’s legacy bags also got the Rider remix: massive woven totes, sleek logo pouches, and subtle plays on the Celine logo—something Rider seems especially fascinated by.

“Logos are fascinating to me,” he said. “They can move from something really tasteful to something quite the opposite. They carry energy. They can mean many things.”

While Rider has clearly borrowed some of Slimane’s commercial instincts, he has done so with a wink. This wasn’t a return to old Celine, nor was it a full continuation of Slimane’s slick edge. Instead, Rider introduced something fresh: structured rebellion with an underlying sense of play.

Fashion critics are already calling it a clever fusion of refinement and irreverence, setting up Rider as a creative force to watch not just at Celine, but in luxury fashion at large.