Entertainment

Kajol’s Joyful Tribute as Kabhi Khushi Kabhie Gham Completes 24 Years


Allycaral Entertainment Desk

As one of Bollywood’s most loved family dramas completes 24 years, actress Kajol took a nostalgic walk down memory lane to celebrate Kabhi Khushi Kabhie Gham. The actor shared a delightful post marking the milestone, paying tribute to her iconic character Anjali, who continues to resonate with audiences across generations.

In her post, Kajol addressed fans fondly, writing, “To all the Anjali’s out there, keep being loud and proud! Rahul is out there somewhere but he might be late because of traffic.” The light-hearted message instantly struck a chord with fans, reminding them of the charm, warmth, and emotional depth that defined her performance.

Released in 2001 and directed by Karan Johar, Kabhi Khushi Kabhie Gham remains a landmark film in Hindi cinema. Featuring an ensemble cast including Shah Rukh Khan, Amitabh Bachchan, Jaya Bachchan, Hrithik Roshan, and Kareena Kapoor Khan, the film continues to enjoy cult status for its music, dialogues, and family-centric storytelling.

Kajol’s portrayal of Anjali—spirited, outspoken, and deeply emotional—became one of the most memorable female characters in Bollywood. Even after 24 years, Anjali’s unapologetic personality and infectious warmth remain relevant, making Kajol’s tribute all the more special.

As fans revisit the film and share their favourite moments online, Kajol’s post serves as a reminder of why Kabhi Khushi Kabhie Gham continues to hold a special place in Indian cinema and popular culture.

Films

Sholay’s Enduring Appeal Lies in Navarasa Tradition, Says Screenwriter Anjum Rajabali


According to screenwriter and cinema theorist Anjum Rajabali, the reason why Sholay continues to captivate Indian audiences across generations lies in its emotional architecture rooted in the navarasa tradition of Indian aesthetics. Speaking at the Museum of Goa in Pilerne during a recent MOG Sunday session celebrating 50 years of Sholay, Rajabali explained that the film’s lasting appeal cannot be attributed only to its stars, dramatic dialogue, or iconic action sequences. Instead, it’s the way the film embodies the nine rasas — love, laughter, sorrow, anger, courage, fear, disgust, wonder, and peace — that makes it emotionally complete. He described how the film’s emotional balance creates a connection with audiences that transcends time and familiarity.

Rajabali illustrated this through scenes such as Jai’s ultimate sacrifice, which embodies heroism, grief, and loyalty simultaneously. He pointed out that comedy in Sholay does not function as a break from tension but as an emotional counterbalance, seen through characters like Basanti and Soorma Bhopali. The laughter, he said, arises naturally from personality and circumstance rather than being forced. Discussing casting choices, he recalled how Amjad Khan’s portrayal of Gabbar Singh was designed to evoke terror and disgust subtly, with “dead eyes” that communicated menace without theatricality.

Rajabali emphasized that rasa is not an intellectual framework but an instinctive experience that audiences feel. Even without understanding the theory, viewers connect emotionally because the film operates through these timeless human essences. He believes that removing even one rasa would have weakened the story’s emotional harmony. Reflecting on modern cinema, he suggested that while some rasas like peace are underexplored today, Sholay achieved a rare equilibrium — a blend of drama, humour, tragedy, and tranquility — that continues to make it one of India’s most enduring films.