Events in Goa

Serendipity Arts Festival 2025 Concludes 10th Edition with a Grand, Multidisciplinary Finale


Written by Tanisha Cardozo || Team Allycaral

The Serendipity Arts Festival 2025 drew to a memorable close in Panaji, marking the conclusion of its landmark 10th edition with a sweeping celebration of artistic expression across disciplines. Over ten days, the festival transformed Goa’s public spaces, heritage buildings, and cultural venues into hubs of creativity, dialogue, and community engagement, reaffirming its place as one of India’s most significant multidisciplinary arts festivals.

As the festival concluded, the Hon’ble Governor of Goa, Shri Pusapati Ashok Gajapathi Raju, accompanied by Mr. Sunil Kant Munjal, Founder Patron of Serendipity Arts, visited several festival venues across the city. Their walkthrough included Azad Maidan, the Old PWD Building, the Directorate of Accounts, the Old GMC Complex, and Art Park, where they interacted with artists, curators, and members of the festival team. The visit highlighted the festival’s expansive programming and its meaningful engagement with public and heritage spaces, underscoring its role in enriching Goa’s cultural landscape.

The closing day featured a series of standout performances across music and theatre. The Arena at Nagalli Hills hosted a vibrant finale curated by Sneha Khanwalkar, bringing together artists including Mulla Altaf Raja Ebrahim, Jasbir Jassi, Sunetra Banerjee, Maithili Shome, Zoheb Husain Khan, and Gaurav Pawankumar Khullar. The concert blended beloved tracks with bold sonic experimentation, delivering a colourful, playful, and energetic conclusion that left audiences exhilarated.

Theatre programming concluded at the Old GMC Complex with Bob Marley from Kodihalli, curated by Sankar Venkateswaran. The Kannada production drew inspiration from the legacy of reggae icon Bob Marley to examine questions of identity, freedom, and caste through a compelling mix of Brechtian theatre and musical interludes, inviting audiences to reflect on marginalised voices and social realities.

Music continued to resonate across venues with the Nagaland Madrigal Singers performing at Dinanath Mangeshkar Kala Mandir. The 19-member choir presented a repertoire spanning classical sacred works, Naga and Asian folk music, international folk songs, and contemporary compositions, showcasing their artistic versatility and cultural heritage. The same venue hosted Spirit and Harmony: A Christmas Special, curated by Ranjit Barot, which ushered in the festive season with a grand big-band production celebrating iconic holiday music in a visually rich setting.

The River Raag series concluded with Manganiyar Parampara at Santa Monica Jetty, where Manganiyar musicians from Rajasthan performed against the backdrop of the Mandovi River. The sunset cruise performance wove together folk traditions, nature, and spirituality, offering a poetic and reflective conclusion as music flowed alongside the river.

Throughout the final day, visitors continued to engage with exhibitions and installations that remained open across venues. These included Multiplay 02: Soft Systems, The Culinary Odyssey of Goa, What Does Loss Taste Like?, Home is Where the Heart is, Infinite Drape, Stepwells: Poetry in Craft, and Hands, Tools, and the Living Thread, among many others. A photography exhibition exploring the evolving idea of home brought together five photographers whose works reflected personal and intergenerational perspectives on belonging.

The festival’s commitment to inclusivity remained central until the very end. The Children’s Programme at Art Park concluded with storytelling sessions, workshops, and interactive experiences, while accessibility initiatives at The Access Village continued through exhibitions, sensory spaces, and workshops designed to ensure an inclusive festival experience for all.

As Serendipity Arts Festival 2025 came to a close, it left behind ten days of artistic exploration that celebrated diversity, innovation, and dialogue. Spanning theatre, music, visual arts, craft, photography, culinary arts, and accessibility programming, the festival once again demonstrated the transformative power of the arts to bring people together and reimagine shared cultural spaces.

Events in Goa

Contemporary Goan Writing Explores Identity, Land, and Inclusion at MOG Sundays


Written by Tanisha Cardozo || Team Allycaral

Contemporary Goan writing and art are navigating pressing questions of belonging, land, language, and social inclusion amid a period of rapid change, according to writers and poets at a recent MOG Sunday discussion at the Museum of Goa (MOG). The session focused on The Brave New World of Goan Writing & Art 2025, an anthology that brings together fiction, essays, and art criticism spanning Konkani and Portuguese works in translation, queer narratives, and reflections by artists, curators, researchers, and heritage practitioners.

The discussion featured contributors Heta Pandit, Janeita Singh, Annie Sengupta, and Glenis Mendonca, in conversation with moderator Aaron Monteiro. Conversations explored the cultural significance of Goan homes, the role of informal community spaces, and notions of public responsibility, while also delving into the complex identities of contemporary Goan artists who navigate multiple cultural worlds. The anthology highlights the value of retaining untranslatable words, documenting environmental and social transformations, and bringing historically marginalised narratives around caste, gender, and queer communities into the spotlight.

Speakers emphasised that translation, documentation, and critical engagement are crucial for sustaining Goa’s rich and diverse cultural voices during a time of rapid transformation. The discussion reflected a vision of Goan identity that embraces complexity, hybridity, and inclusivity, positioning literature and art as vital tools for understanding and shaping the state’s evolving cultural landscape.

Events in Goa

Potters Fest Goa Returns with Fifth Edition Celebrating Clay, Craft and Culture


Written by Tanisha Cardozo || Team Allycaral

Potters Fest Goa is set to return this January with its much-anticipated fifth edition, transforming the scenic F.L. Gomes Garden at Campal, Panjim, into a vibrant hub of clay, culture and creativity from January 9 to 11, 2026. The annual festival has grown into a significant celebration of pottery and ceramics, drawing potters, clay and ceramic artists, and pottery enthusiasts from across India for three immersive days of learning, interaction and artistic exchange.

Rooted in Goa’s earthy traditions, this year’s festival places a special spotlight on the shared heritage of Kunbi handloom and pottery. Both crafts, handcrafted from natural materials, reflect simplicity, sustainability and the enduring indigenous culture of the state. By bringing these traditions together, the festival highlights the deep connection between craft, community and cultural memory in Goa.

A unique highlight of this edition will be a specially conceptualised show by Asha Arondekar, Rahila Khan and Asha Vernekar, showcasing 12 western wear outfits and 12 sarees that creatively blend textile and pottery-inspired aesthetics. Scheduled for 5.30 pm on January 9, 2026, the show promises to be a distinctive fusion of fashion and craft heritage.

The festival will also feature daily hands-on workshops, offering visitors an opportunity to engage directly with clay. These include a full-day pottery wheel experience led by Bhisaji Gadekar and a mosaic workshop conducted by Marilyn D’Costa, with on-the-spot registrations available, encouraging spontaneous participation and learning.

Curated and organised by Bipasha Sen Gupta, Potters Fest Goa will be open daily from 11 am to 8.30 pm, creating a welcoming space for artists, families and visitors to explore, create and connect. As it enters its fifth year, the festival continues to strengthen its role as a platform that celebrates craftsmanship, supports artisans and keeps Goa’s rich creative traditions alive while inviting new conversations around contemporary craft practices.

Events in Goa

Serendipity Arts Festival Transforms Panaji’s Art Park into a Hub of Art, Food, and Community


Panaji, December 2025: The Serendipity Arts Festival (SAF), Asia’s largest multidisciplinary art festival, has once again turned Panaji’s Art Park along the riverfront into a dynamic cultural hub. Visitors of all ages have been immersed in a vibrant blend of art, workshops, culinary experiences, and entertainment.

The festival space is thoughtfully designed to cater to varied interests. The western end features the photography exhibits in Feeling Home. Where is Home?, with works ranging from Assavri Kulkarni’s tribal portraits to Anurag Banerjee’s homage to Bombay, drawing visitors into diverse worlds through the lens. Moving inward, the buzz grows louder with interactive workshops, storytelling sessions, and a showcase of Goan culinary traditions.

SAF’s colourful stalls and installations make the festival appealing to schools and families alike. Surekha Gaonkar, a teacher from Bal Bharati Vidyamandir, Ribandar, brought 73 students from standards 1 to 3, saying, “We come to help students learn something new while having fun. There’s so much to do here.”

Students like Nisha Fernandes of Chubby Cheeks High School were equally enthused, exploring workshops such as Changing Charpai and creative storytelling sessions. “It was my first time here, and I had a lot of fun. The Hive workshop helped us learn limericks and poetry, and the charpai installation was fun to climb and play on,” she shared.

Parents, too, found the festival a perfect opportunity to engage with their children while enjoying a safe and relaxing environment. Upen Kumar from Margao said, “I registered my son for storytelling and workshops on emotions and musical instruments while browsing the stalls. Every amenity, from washrooms to guidance, was well taken care of.”

The Serendipity Arts Festival continues to offer an inclusive, engaging, and educational experience, blending celebration, learning, and community bonding in the heart of Panaji.

Events in Goa

Poland Brings Sculpture, Jazz and Theatre to Serendipity Arts Festival 2025


Written by Tanisha Cardozo || Team Allycaral

As the Serendipity Arts Festival marks its landmark 10th anniversary edition in 2025, the Polish Institute in New Delhi joins the celebrations, signalling an important moment for deepening cultural dialogue between Poland and India. This participation opens pathways for long-term collaboration at both institutional and artistic levels, strengthening ties across contemporary art practices.

The presence of the Polish Institute at the festival represents a significant step towards establishing sustained Polish engagement with one of South Asia’s fastest-growing multidisciplinary arts festivals. By presenting Polish artists across sculpture, music and theatre, the initiative creates opportunities for future residencies, joint productions, curatorial exchanges and collaborative projects between the two countries.

Renowned Polish sculptor Tomasz Koclęga presents Suspensio Spiritualis (Spiritual Suspension) at the Art Park from 14 to 21 December 2025. A leading figure in contemporary figurative sculpture and Professor at the Academy of Fine Arts in Katowice, Koclęga is known for his expressive monumental works that explore the human body as a site of emotional and spiritual tension. At the festival, he showcases three striking white sculptures, each standing between two and three metres tall and crafted in polyester resin. The works depict human figures interacting with oversized heads, symbolising intellect, consciousness and spirituality, creating a powerful visual and contemplative presence amid the greenery of the Art Park. The exhibition is presented with the support of the Polish Institute in New Delhi.

Polish improvised music takes centre stage with a live jazz concert by Warsaw-based quartet LIGHT STAR GUIDING on 15 December 2025 at the Art Park. Active since 2018, the ensemble blends electro, trance, folk and free jazz, drawing inspiration from the raw energy of the 1970s while shaping a contemporary soundscape. The line-up includes Ray Dickaty on tenor saxophone and flute, Mikołaj Poncyljusz on electric guitar, Michał Załęski on keyboards, Moog and bass, and Dominik Mokrzewski on drums. The performance forms part of the “Jazz Po Polsku – Around the World / Asia Stop” tour, co-funded by the Ministry of Culture and National Heritage of Poland and carried out by the JAZZ PO POLSKU Foundation, with support from the Polish Institute in New Delhi. The Panjim concert marks the conclusion of the band’s India tour.

Adding a strong theatrical and technological dimension, acclaimed Polish theatre director and multimedia artist Krzysztof Garbaczewski participates in the SEA – Serendipity Exchange for the Arts on 19 and 20 December 2025 at the Old GMC Complex. Known for his experimental approach and integration of theatre with video, virtual reality and immersive technologies, Garbaczewski brings a critical international perspective to the exchange. SEA runs parallel to the festival as a delegate programme connecting artists, curators, producers and arts managers from across Asia and beyond. His participation opens discussions on new technologies and immersive art practices, laying the groundwork for future Polish–Indian collaborations, including performance projects that explore artificial intelligence and digital tools.

Together, these presentations underline Poland’s dynamic contribution to Serendipity Arts Festival 2025, celebrating artistic excellence while building a foundation for enduring cultural collaboration between Poland and India.