Author: Tanisha Cardozo

Business

AI-Powered Leap: Projects Today Unveils Smarter Business Opportunity Platform

Tanisha Cardozo

India’s project ecosystem is entering a smarter, more connected phase as Projects Today unveils its AI-driven business opportunity platform, designed to bring clarity, speed, and intelligence into how organisations engage with projects. At a time when timing, data, and coordination can define success, this upgraded platform aims to simplify complexity and turn information into actionable insight.

The platform integrates project lifecycle context, tenders, L1/order updates, and stakeholder intelligence into a single streamlined workflow. Instead of navigating fragmented data points, users can now access a unified view that helps them understand not just what is happening, but what actions to take next. This shift from passive tracking to proactive decision-making marks a significant evolution in project intelligence.

At its core, the platform introduces a suite of AI-enabled capabilities focused on real-world outcomes. From BOQ search and sub-project tracking to tender-to-order journey visibility, users gain a deeper understanding of each opportunity’s stage and scope. Enhanced bidder insights, participation analytics, and opportunity estimation tools further strengthen the decision-making process, while credibility dashboards and stakeholder mapping add a new layer of strategic intelligence.

With over 25 years of research-led expertise, Projects Today continues to build on its strong foundation. The platform currently tracks more than 50,000 active projects across various stages, from early planning to execution. Each month, it adds over 1,500 new projects, monitors 10,000+ tenders, and captures more than 1,200 L1/order updates—creating a dynamic and constantly evolving database that supports businesses across sectors.

However, the vision goes beyond data aggregation. The intent is to create a seamless flow of opportunity between those who conceptualise projects and those who bring them to life. By connecting promoters, contractors, consultants, suppliers, service providers, and financiers, the platform fosters collaboration and ensures that opportunities move efficiently from idea to execution.

This launch also reinforces a guiding philosophy that has remained constant: Client First. Nation Always. As India’s infrastructure and industrial landscape continues to expand, the need for timely insights and coordinated action becomes more critical than ever. Through this AI-powered transformation, Projects Today is positioning itself not just as an information provider, but as an enabler of growth, partnerships, and progress.

In a rapidly evolving economy, where speed and precision are key, this platform represents more than just a technological upgrade. It signals a shift towards smarter engagement, better alignment, and faster execution—ensuring that opportunities don’t just exist, but are effectively realised.

Films

SC Refuses Ban on Yadav Ji Ki Love Story, Says Title Not Defamatory

Tanisha Cardozo

In a significant development highlighting the intersection of cinema and constitutional rights, the Supreme Court of India has refused to impose a ban on the film Yadav Ji Ki Love Story, dismissing a petition that challenged its title. The plea, filed by the chief of the Vishwa Yadav Parishad, argued that the film’s name portrayed the Yadav community in a negative light and sought either a ban or a change in the title.

Hearing the matter, a bench comprising Justices BV Nagarathna and Ujjal Bhuyan examined the arguments and the material presented before them. The court ultimately found the concerns to be unfounded, stating that the title of the film did not contain any language or implication that could be seen as derogatory towards the Yadav community.

Justice Nagarathna observed that the court could not understand how the title alone could reflect negatively on an entire community, especially when it lacked any explicit or implied negative descriptors. The bench emphasised that none of the reasonable restrictions outlined under Article 19(2) of the Constitution—which governs limitations on freedom of speech and expression—were applicable in this case.

The court also drew a distinction between this matter and a previous controversy surrounding the film Ghooskhor Pandat. In that instance, the word “ghooskhor,” meaning corrupt, was deemed to carry a clearly negative connotation that could reflect poorly on a community, prompting judicial intervention. However, in the present case, the bench noted that no such negative association existed in the title Yadav Ji Ki Love Story.

During the proceedings, the petitioner’s counsel clarified that their objection was not to inter-community relationships depicted in the film, but rather to how certain aspects, including the portrayal of a woman, were handled. Despite these arguments, the court maintained that the film is a work of fiction and does not warrant judicial interference based on speculative concerns.

With the petition dismissed, the path is now clear for the film’s release, scheduled for February 27. The ruling reinforces the judiciary’s stance on protecting creative expression while carefully weighing claims of community harm, once again underlining the importance of context and intent in such disputes.

Health Scope

Wisdom Teeth Explained: When to Worry and When to Let Them Be

Tanisha Cardozo

Written by Dr. Mallika Manoj Prabhudesai, Consultant Dental Surgeon

Wisdom teeth, also known as third molars, are the last set of teeth to develop, usually emerging in the late teenage years or early twenties. For some people, they come in without causing any issues, aligning well with existing teeth and functioning like any other molar. But for many others, these late arrivals can become a source of discomfort, complications, and dental concerns that require attention.

One of the most common reasons wisdom teeth cause problems is the lack of space in the jaw. As modern diets and evolution have gradually reduced jaw size, there often isn’t enough room for these extra molars to emerge properly. When this happens, the teeth may grow at odd angles, remain partially erupted, or become fully impacted beneath the gums. These situations can create pockets where food particles and bacteria accumulate, increasing the risk of infection, swelling, and pain. In some cases, this can even lead to difficulty in opening the mouth comfortably.

Impacted wisdom teeth can also press against neighbouring molars, potentially causing damage or shifting alignment over time. This can undo years of orthodontic work or create new dental issues that extend beyond the wisdom teeth themselves. Because of these risks, dentists often monitor the development of third molars through regular check-ups and imaging.

However, removal is not always necessary. If wisdom teeth are healthy, fully erupted, and properly aligned, they can remain in place without causing any harm. The decision to remove them typically depends on symptoms such as persistent pain, infection, gum inflammation, or damage to adjacent teeth. In some cases, dentists may recommend preventive removal if they anticipate future complications based on positioning and available space.

When removal is required, the procedure is commonly performed by a dentist or oral surgeon under local anesthesia, though general anesthesia may be used in certain cases. The process is routine and widely practiced, but like any surgical procedure, it comes with a recovery period. Swelling, mild discomfort, and limited mouth opening are normal in the days following the extraction. Proper post-operative care, including medication, rest, and maintaining oral hygiene, plays a crucial role in ensuring a smooth recovery.

Understanding your wisdom teeth and paying attention to early signs of trouble can help prevent more serious complications down the line. Regular dental visits and timely advice from professionals can make all the difference. After all, maintaining oral health isn’t just about treating problems—it’s about preventing them before they begin.

Human Interest

Was That Really Taylor Swift in Jamnagar? The Truth Isn’t What You Think

Tanisha Cardozo

For a brief moment over the weekend, it seemed like the impossible had happened. Videos flooded social media claiming that Taylor Swift—one of the biggest music stars in the world—had quietly flown into India to perform at a wedding in Jamnagar.

Given the reputation of the Ambani family for hosting extravagant celebrations featuring global icons, the claim didn’t feel entirely far-fetched. After all, past events linked to the family have seen performances by international stars like Rihanna, Justin Bieber, Katy Perry, and the Backstreet Boys. So when clips surfaced showing a blonde performer on stage in front of an Indian audience, many were quick to believe the narrative.

The excitement spread quickly. Captions breathlessly announced that Taylor Swift had performed at a private event hosted by Isha Ambani, with fans expressing shock and envy over what seemed like a secret, high-profile visit. But there was one detail that didn’t quite add up—there was no trace of such a visit anywhere else. No official posts, no credible reports, and no digital footprint from Swift herself.

That absence raised questions, and it didn’t take long for the truth to surface. The videos were indeed real and shot in Jamnagar—but the performer wasn’t Taylor Swift. Instead, it was Dorothy, a well-known Taylor Swift doppelganger who performs globally, recreating the singer’s stage presence, style, and mannerisms with uncanny accuracy.

The event itself had no connection to the Ambanis. It was, in fact, the wedding of Ahana Raheja and Yash Patel, two prominent names from Gujarat’s business circles. The confusion stemmed from the performer’s striking resemblance to Swift, combined with the grandeur of the event, which mirrored the scale people have come to associate with high-profile celebrity weddings in India.

Fashion commentator Nishtha Gandhi was among those who addressed the viral claims, pointing out how easily the internet had been convinced. From the shimmering outfit to the stage presence, every detail aligned just enough to make the illusion believable. And in the fast-paced world of social media, that was all it took.

What makes this incident particularly interesting is how it reflects both the power and the pitfalls of virality. A convincing visual, paired with an already believable narrative, can quickly blur the line between fact and fiction. In this case, the idea of Taylor Swift performing at an Indian wedding wasn’t questioned as much as it perhaps should have been—because it fit into an existing pattern of extravagant, star-studded events.

In reality, Taylor Swift has never performed in India, neither at a public concert nor a private event. Her world tours have so far skipped the country, leaving Indian fans waiting for that long-anticipated moment. Whether that will change in the future remains uncertain.

Until then, this viral episode serves as both a fascinating and cautionary tale—one where a lookalike performance briefly convinced an entire internet that a global superstar had arrived unannounced, proving just how powerful a well-crafted illusion can be.

Events in Goa

Lost Notes, Found Echoes: Medina Ribas Comes Alive in Goa

Tanisha Cardozo

There are moments when music does more than fill a room—it travels across time, reviving stories that were once on the verge of being forgotten. That’s exactly what unfolded in Goa this past weekend, as rare compositions by Nicolau Medina Ribas were brought back to life in two thoughtfully curated performances that blended history, emotion, and cultural connection.

Organised by Communicare Trust, the concerts took place across two contrasting yet equally evocative venues—the Black Box at Kala Academy and the heritage-rich Figueiredo Mansion. Each space offered its own atmosphere: one intimate and contemporary, the other steeped in history, echoing the very legacy the music sought to revive.

Led by Portuguese violinist Eliseu Silva and pianist Olga Amaro, the performances centred on Ribas’ works—compositions that were once nearly lost at his estate in Porto before being rediscovered and preserved through dedicated archival efforts. As the notes unfolded, there was a quiet sense of rediscovery in the air, as if the audience was not just listening, but witnessing something being returned to the world.

For Olga Amaro, the experience carried a deeply emotional weight. Performing in Goa, she reflected, felt like standing at a crossroads of histories—two cultures separated by geography yet intertwined through centuries of shared past. That connection was not just historical, but deeply human, shaping the way the music was received and understood. She spoke of feeling both honoured and responsible—honoured to share this music, and responsible for presenting it with authenticity and care.

There were also moments of personal intimacy that added to the uniqueness of the experience. Amaro shared, with a touch of lightness, that the Panaji performance marked her first time playing barefoot—an act that made her feel more grounded and connected, not just to the stage but to the audience itself. It was a small detail, but one that reflected the larger spirit of the concerts: unfiltered, sincere, and deeply felt.

Violinist Eliseu Silva echoed similar sentiments, noting the attentiveness and emotional engagement of Goan listeners. Even for those unfamiliar with Ribas’ work, the response was immediate and genuine. There was a sense that the music transcended its unfamiliarity, speaking directly to the audience in a language that needed no translation.

For Nalini Elvino de Sousa, founder and manager of Communicare Trust, the concerts marked a significant milestone. Not only did they celebrate the organisation’s 20th anniversary, but they also introduced, perhaps for the first time in Goa, the work of a Portuguese composer from that era in a live setting. The addition of contextual explanations during the performance helped audiences engage more deeply, turning the concerts into both a musical and educational experience.

Beyond the performances themselves, what lingered was a message—one that Amaro shared with young musicians. It was simple, almost quiet in its delivery: to keep going, to stay with what you love, and to trust in the joy that music brings. In a world often driven by outcomes and expectations, it was a reminder that art, at its core, is about connection.

And that connection was evident throughout the weekend. Between continents, between centuries, and between people sitting in a room, listening together. In reviving the works of Nicolau Medina Ribas, these concerts did more than revisit the past—they made it present again, if only for a night, and perhaps that’s where their true magic lies.